设计类英文期刊发表论文

设计类英文期刊发表论文

《校园英语》省级知网跨库，是12月出刊，可以收全英文文章2版4600字符或9200英文字符起发。

《海外英语》省级知网首页可查，只收21年上半年的加急版面（注意截止到2020年9月3日，他还是只收加急的上半年版面）。

《英语广场》省级知网首页可查，SCD期刊，目前正常收21年2-3月的刊期，另外有个别年内版面可以免费加急到年底出刊，注意他的版面是按字算，不是字符。

《现代英语》万方收录的期刊，只收英语高教的文章。如果是文学的，如果必须是年内的。

《青年文学家》《作家天地》《今古文创》《文化学刊》也可以考虑去发心理学专刊《心理月刊》。

英文期刊：

《有机化学》创刊于1975年，是由中国科学院主管，中国化学会、中国科学院上海有机化学研究所主办的学术期刊。

主要刊登有机化学领域基础研究和应用基础研究的原始性研究成果。设有综述与进展、研究论文、研究通讯、研究简报、学术动态、研究专题、亮点介绍等栏目。主要读者对象为中国国内外化学工作者。

《物理学报》由中国物理学会和中国科学院物理研究所主办的综合性物理学中文学术期刊，为半月刊，被SCI-CD、SCI-E、Scopus、EI、CA、INSPEC、JICST、AJ、MR等国际核心检索系统收录。

主要栏目有研究论文、研究快报等，发文领域包括凝聚态物理和材料物理、原子分子物理和光物理、统计物理、非线性物理、等离子体物理、粒子物理与核物理、物理学交叉学科等。

《光谱学与光谱分析》是1981年创办的中文学术期刊，月刊，中国光学学会主办，中国科学技术协会主管。

主要刊登激光光谱测量、红外、拉曼、紫外、可见光谱、发射光谱、吸收光谱、X-射线荧光光谱、激光显微光谱、光谱化学分析、国内外光谱化学分析最新进展、开创性研究论文、学科发展前沿和最新进展、综合评述、研究简报、问题讨论、书刊评述。

《无机材料学报》是1986年创办的中文学术期刊，月刊，中国科学院上海硅酸盐研究所主办，中国科学院主管。

主要刊登包括纳米无机材料、功能陶瓷（铁电、压电、热释电、PTC、温敏、热敏、气敏等）、高性能结构陶瓷、功能晶体材料、能源材料、生物材料。

无机薄膜材料、特种玻璃、环境材料、特种无机涂层材料以及无机复合材料等方面的最新研究成果，和上述材料性能的最新检测方法以及获得上述材料的新工艺等。

《金属学报》创刊于1956年，是由中国科协主管、中国金属学会主办、中国科学院金属研究所承办、科学出版社出版的材料冶金领域的学术性期刊。主要刊登冶金科技和材料科学与工程方面具有创新性的原始学术论文和高水平的综述性文章。设置有原始论文、短文快报、综合评述等栏目。

有专门的英语类学术刊物啊

具体不知道你是干什么的，要是评职称的用的话发表cn期刊就可以了，我们单位是这么要求的，当时是问了人事厅给我一个要求文件，然后找的白杜输入“壹品优” 讠仑文机构发表出来的，具体流程您也可以问一下，别的都差不多了

先确定你要发哪个刊，然后找到官网或者编辑部的联系方式，索取刊登资料，按照资料修改论文，修改完毕以后，直接投稿就是了，雷同率要低

设计类英文期刊投稿

可以通过那些期刊或杂志的编辑进行投稿啊…………把稿子发到他们的邮箱…………实体的信也可以的…………

好像有一本就叫《设计》，是一个出版开源刊物的网站上的

可以投递到校园期刊。一般在学校内都有教学设计投递渠道，如果方案比较好的话，学校还会考虑建议投递到出版社出版，或者以论文的形式进行发表。

工业设计就找工业设计的，首饰设计就找首饰设计的，家装设计也是，封面设计也是，服装设计也是～～～～～～等等。晕死了，都不说明白。

设计类英文发表论文

工业设计 Industrial Design designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and sales.Definition of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and expectations.In Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be improved.According to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design practice.According to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic exchange.Process of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited examples.Industrial design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing designers.Product design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior design.Also used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.

好不容易上完四年大学，最后写论文了还得让别人写！~唉......自己反省吧

平面设计专业英语论文There are several phases and processes in the user interface design some of which are more demanded upon than others depending on the project. (note for the remainder of this section the word system is used to denote any project whether it is a web site, application, or device)Functionality requirements gathering - assembling a list of the functionality required of the system to accomplish the goals of the project and the potential needs of the users. User analysis - analysis of the potential users of the system either through discussion with people who work with the users and/or the potential users themselves. Typical questions involve: What would the user want the system to do? How would the system fit in with the users normal workflow or daily activities? How technically savvy is the user and what similar systems does the user already use? What interface look & feel styles appeal to the user? Information architecture - development of the process and/or information flow of the system (i.e. for phone tree systems, this would be an option tree flowchart and for web sites this would be a site flow that shows the hierarchy of the pages).Prototyping - development of wireframes, either in the form of paper prototypes or simple interactive screens. These prototypes are stripped of all look & feel elements and most content in order to concentrate on the interface. Usability testing - testing of the prototypes on an actual user—often using a technique called talk aloud protocol where you ask the user to talk about their thoughts during the experience. Graphic Interface design - actual look & feel design of the final graphical user interface (GUI.) It may be based on the findings developed during the usability testing if usability is unpredictable, or based on communication objectives and styles that would appeal to the user.

绘画与设计关系的几点思考 内容摘要:文章通过分析绘画与设计的使命、特点、异同与发展等,客观、深刻、科学地阐述了两者的关系。 关 键 词:绘画 设计 使命 关系 画家与设计师有时会引发一些争议。有的认为,绘画与设计同属美术,只要有绘画功夫,搞设计是不成问题的;而另一种观点是:仅仅靠绘画的功底去从事设计是远远不够的。因此,有必要认真思考绘画与设计两者的使命,理清它们之间的种种关系,这对艺术设计教育与实践等具有建设性意义。 一、 绘画与设计的特点、使命、区分 绘画与设计虽然同属创造性活动,但具有各自的特点和使命。 具体说来,绘画具有被观赏的特征,反映的是思想意识、精神生活、情感宣泄和美感体现等,因此,绘画是非物质、非功利、非实用主义的。创新是绘画的生命,并且通过个性化体现来实现,古今中外每一位杰出的绘画大师都创作过极为个性化的作品,展现了自己的典型风格和特征。画家们(尤其是现代派画家),为了表现出作品的生命力,根据自己的愿望,在技能、材质与工具的应用上随心所欲,可以完全不考虑其作品被不被人理解、欣赏、接纳或认可。在这方面,凡·高是一位典型的大师,他创造了大量极作,但在当时未能被人们广泛接受。 而设计具有鲜明的实用价值,设计的产生、发展是与商业行为结伴而来的,是随着商品经济的激烈竞争而出现的。设计体现的是多层次的理性思考,是在设计理念和功能体现的前题下,通过科学技术、材料、工艺、机械加工等工业化的生产综合水平,生产出各类产品,最终满足全社会消费者生存所必不可少的物质需求与精神需求。因此,设计是物质性、功利性和实用性的,是不能完全凭感觉去完成的,而更需要接受和服从广大的消费者的消费需求、文化品位与生活习惯。例如,各类电器从设计到生产,再从市场到消费者的使用,整个过程体现了设计需要考虑各种因素如设计、策划、市场、消费、生产、成本、企业文化、品牌、设计思潮、设计风格和流行趋势等问题,寻找最佳的表达方法,把设计师的构想变成消费者能够接受和采纳的现实。 二、绘画与设计的异同 绘画与设计属于美术两大分支,它们之间有着相同之处,都是属于创造性活动,但也有本质的区别,二者之间的关系属于两个不同性质行业之间的关系,具体体现在以下几个方面。 首先,绘画与设计在工艺制作和实现方式上存在着区别。绘画虽然是一门艺术,但整个绘画作品的产生和制作过程是属于纯手工艺的,观者看到画面上的点、线、面、体和真实的肌理或质感,都是画家手工制作的,因此,绘画中手工操作的技术含量占重要比例。完成一幅绘画作品实际上是完成一种思维过程,即通过某种技法去实现某种意念,那么,怎样才能使这种思维的实现成为可能?在这里技术所包含的材料、技巧等起到了决定性的作用。例如,油画是通过以油为结合剂的油性颜料,用特定的技法,将构想画在布面或其他材料上;国画是用毛笔蘸上墨等水溶性颜料,以特有的笔法,将构想画在宣纸、帛以及其他材料上。但对设计产品来说,在实现方式上是通过脑力劳动的创造与大工业机器生产相结合来完成的,如今科技的进步和电脑的产生,给设计业带来了划时代的变化,设计作品的产生方式更加体现了机器的智能化、系列化,机器的重要性越来越明显。 其次,绘画与设计在商品经济中的地位是不同的。 对于绘画而言,是非商品化的(商业绘画除外),画家们强调的是自身的感受、意念、风格和精神内涵,如现代绘画更是创新观念独特,其个性表露和情感发泄更加强烈,使人惊讶不已,画家不会考虑其绘画能否让观者接受,更不去考虑绘画在商品经济中的地位。但设计是一项为他人服务的活动,具有物质性、功利性和实用性,并与商界有密切联系。如果说消费者和顾客是上帝的话,那么设计师就得屈服于他们的“上帝”,这是应该遵循的原则。设计者必须使他的产品具备使用价值与审美价值,去满足消费者的种种需求,赢得他们的信任与满意,最后通过市场竞争,使之实现畅销。因此,设计在商品经济中的地位是举足轻重的。 三、绘画与设计的联系 虽然绘画与设计之间存在着各种差异,但不能否认绘画与设计这两个同属于一根藤的瓜,有着千丝万缕的联系。如:早期绘画与设计的起源在艺术规律和基本特征上有着很大的相似性。又如,具备必要的绘画知识及审美能力,对于设计教学和设计实践尤为重要。在设计教学中,学生应具备必要的绘画知识,才能表达各类形态的造型,并能提高形象思维能力、抽象思维能力、抽象表现能力、对形态的审美能力等。这就意味着素描教学有很重要的地位,学生的绘画是从基础素描开始的,随后再通过设计素描、设计草图、设计效果图等课程的学习进行绘画的进一步训练。这些课程在培养学生从设计基础向设计专业过渡和衔接上起到关键性作用,是培养学生的设计意识及设计表达能力不可缺少的重要环节。在设计实践中,更是离不开绘画,如果一个从事设计的人不懂得绘画,那是寸步难行。这是因为:第一,在设计前期,也就是在想象和构思阶段,绘画(绘制草图)可以帮助捕捉灵感;第二,成熟的设计意念需要通过绘画得到具体表达,传达给他人。 绘画与设计也将随着时代的前进而发展。我国的绘画将继续在国际性的巨大风格差异中摸索和试验,探索新的道路,将绘画的时代性、民族性、当代性放在第一位,开创中国绘画的国际地位与影响,这对设计领域也是一个很好的促进;在设计教育方面,我国将实行素质教育,它是一种综合教育方式,涉及到社会、人文、科技,具有跨学科意义,使学生得到设计方向、设计商务、设计策划等多途径的教育,这对绘画观念的更新有着巨大影响。 结语 绘画与设计,就好比是“一根藤上的两个瓜”,是不可分割的。只有正确理解绘画与设计的起源与奥秘、特点与使命、异同与对比、整合与发展等,才能对两者的关系有客观的、深刻的、科学的认识,这对提高教学的质量、打造时代所需要的设计人才,弘扬中国元素与民族精神,摘掉中国设计师只会拷贝的帽子,具有建设性意义。

设计类发表的英文论文

Brief analysis family indoor design color factor[Abstract] color is the emotional expression of a language, it is an expression of the human heart in some very complex feelings. Color design is known as the "soul." It is the interior design of the most vivid, the most active, has a pivotal position. The success of design is the color we can meet the aesthetic demands of the residents is to express individuality. [Key words] color interior designFirst, color interior design is an important part of the The interior color design to be considered by a lot of factors which include space, form, structure, light, materials and colors. However, the design factors are often ignored is the color. This approach is often the color will not achieve the best results. Color choice should be included in the overall design of the building, and not like to deal with after the deal. The success of design is the color of all colors and other materials as a color combination to deal with. The most successful interior design and color of the overall design objectives. Second, the interior design of the basic requirements for color Interior design in color, there are many factors that influence the design of color. The main factors include the inherent interior. For example: the use of space for different purposes, such as workshops, wards, obviously taking into account the requirements of color, reflect the character and atmosphere of the formation varies. Another example: interior design can be different color space, in the form of further stressed or weakened. Of course, is also the interior design color reference, in a different direction under natural light colors are different, there are differences in a sense of well-being, may be used to adjust the color. Factors include the "residents". For example: the use of space, the type of person. Men, women and children of color requires a lot of difference between the colors should meet the preferences of the residents, another example: a user's activities in space and the use of the length of time. Learning classrooms, industrial production workshop, a variety of activities and work, require a different line of sight conditions, in order to improve efficiency, safety and comfort. Finally, should also be factors, including the space around which the environmental factors. Color and the environment are closely linked, especially in the interior, reflective color can affect the other colors. And a different environment, through the outdoor landscape can be reflective to the interior, the color should also be made to coordinate with the surrounding environment.Third, the color of the interior design 1. Color coordination. Indoor color design is the fundamental problem of color matching issues, Van Gogh said: "There is no bad colors, only with bad." Color effect of different colors depending on the relationship between the same color in different background conditions, a The results can be very different. Visual organs in accordance with the natural physiological conditions, with different colors on request. There will be a lot of visual color phenomenon. The vision colors of the organ to stimulate the instinct to carry out the swap in order to maintain visual physiological balance, and only when the color of the complementary relationship-building, the only vision and balance are met. 2. Indoor color composition. Color in the interior composition can often play a special role. (1) can cause people to hide or attention. (2) objects can have a swelling sense of contraction. (3) color can be fabricated in the form of indoor space, to break the pattern of the original space. (4) Color Indoor enable the object of varieties, materials, texture, form each other to form internal relations.

绘画与设计关系的几点思考 内容摘要:文章通过分析绘画与设计的使命、特点、异同与发展等,客观、深刻、科学地阐述了两者的关系。 关 键 词:绘画 设计 使命 关系 画家与设计师有时会引发一些争议。有的认为,绘画与设计同属美术,只要有绘画功夫,搞设计是不成问题的;而另一种观点是:仅仅靠绘画的功底去从事设计是远远不够的。因此,有必要认真思考绘画与设计两者的使命,理清它们之间的种种关系,这对艺术设计教育与实践等具有建设性意义。 一、 绘画与设计的特点、使命、区分 绘画与设计虽然同属创造性活动,但具有各自的特点和使命。 具体说来,绘画具有被观赏的特征,反映的是思想意识、精神生活、情感宣泄和美感体现等,因此,绘画是非物质、非功利、非实用主义的。创新是绘画的生命,并且通过个性化体现来实现,古今中外每一位杰出的绘画大师都创作过极为个性化的作品,展现了自己的典型风格和特征。画家们(尤其是现代派画家),为了表现出作品的生命力,根据自己的愿望,在技能、材质与工具的应用上随心所欲,可以完全不考虑其作品被不被人理解、欣赏、接纳或认可。在这方面,凡·高是一位典型的大师,他创造了大量极作,但在当时未能被人们广泛接受。 而设计具有鲜明的实用价值,设计的产生、发展是与商业行为结伴而来的,是随着商品经济的激烈竞争而出现的。设计体现的是多层次的理性思考,是在设计理念和功能体现的前题下,通过科学技术、材料、工艺、机械加工等工业化的生产综合水平,生产出各类产品,最终满足全社会消费者生存所必不可少的物质需求与精神需求。因此,设计是物质性、功利性和实用性的,是不能完全凭感觉去完成的,而更需要接受和服从广大的消费者的消费需求、文化品位与生活习惯。例如,各类电器从设计到生产,再从市场到消费者的使用,整个过程体现了设计需要考虑各种因素如设计、策划、市场、消费、生产、成本、企业文化、品牌、设计思潮、设计风格和流行趋势等问题,寻找最佳的表达方法,把设计师的构想变成消费者能够接受和采纳的现实。 二、绘画与设计的异同 绘画与设计属于美术两大分支,它们之间有着相同之处,都是属于创造性活动,但也有本质的区别,二者之间的关系属于两个不同性质行业之间的关系,具体体现在以下几个方面。 首先,绘画与设计在工艺制作和实现方式上存在着区别。绘画虽然是一门艺术,但整个绘画作品的产生和制作过程是属于纯手工艺的,观者看到画面上的点、线、面、体和真实的肌理或质感,都是画家手工制作的,因此,绘画中手工操作的技术含量占重要比例。完成一幅绘画作品实际上是完成一种思维过程,即通过某种技法去实现某种意念,那么,怎样才能使这种思维的实现成为可能?在这里技术所包含的材料、技巧等起到了决定性的作用。例如,油画是通过以油为结合剂的油性颜料,用特定的技法,将构想画在布面或其他材料上;国画是用毛笔蘸上墨等水溶性颜料,以特有的笔法,将构想画在宣纸、帛以及其他材料上。但对设计产品来说,在实现方式上是通过脑力劳动的创造与大工业机器生产相结合来完成的,如今科技的进步和电脑的产生,给设计业带来了划时代的变化,设计作品的产生方式更加体现了机器的智能化、系列化,机器的重要性越来越明显。 其次,绘画与设计在商品经济中的地位是不同的。 对于绘画而言,是非商品化的(商业绘画除外),画家们强调的是自身的感受、意念、风格和精神内涵,如现代绘画更是创新观念独特,其个性表露和情感发泄更加强烈,使人惊讶不已,画家不会考虑其绘画能否让观者接受,更不去考虑绘画在商品经济中的地位。但设计是一项为他人服务的活动,具有物质性、功利性和实用性,并与商界有密切联系。如果说消费者和顾客是上帝的话,那么设计师就得屈服于他们的“上帝”,这是应该遵循的原则。设计者必须使他的产品具备使用价值与审美价值,去满足消费者的种种需求,赢得他们的信任与满意,最后通过市场竞争,使之实现畅销。因此,设计在商品经济中的地位是举足轻重的。 三、绘画与设计的联系 虽然绘画与设计之间存在着各种差异,但不能否认绘画与设计这两个同属于一根藤的瓜,有着千丝万缕的联系。如:早期绘画与设计的起源在艺术规律和基本特征上有着很大的相似性。又如,具备必要的绘画知识及审美能力,对于设计教学和设计实践尤为重要。在设计教学中,学生应具备必要的绘画知识,才能表达各类形态的造型,并能提高形象思维能力、抽象思维能力、抽象表现能力、对形态的审美能力等。这就意味着素描教学有很重要的地位,学生的绘画是从基础素描开始的,随后再通过设计素描、设计草图、设计效果图等课程的学习进行绘画的进一步训练。这些课程在培养学生从设计基础向设计专业过渡和衔接上起到关键性作用,是培养学生的设计意识及设计表达能力不可缺少的重要环节。在设计实践中,更是离不开绘画,如果一个从事设计的人不懂得绘画,那是寸步难行。这是因为:第一,在设计前期,也就是在想象和构思阶段,绘画(绘制草图)可以帮助捕捉灵感;第二,成熟的设计意念需要通过绘画得到具体表达,传达给他人。 绘画与设计也将随着时代的前进而发展。我国的绘画将继续在国际性的巨大风格差异中摸索和试验,探索新的道路,将绘画的时代性、民族性、当代性放在第一位,开创中国绘画的国际地位与影响,这对设计领域也是一个很好的促进;在设计教育方面,我国将实行素质教育,它是一种综合教育方式,涉及到社会、人文、科技,具有跨学科意义,使学生得到设计方向、设计商务、设计策划等多途径的教育,这对绘画观念的更新有着巨大影响。 结语 绘画与设计,就好比是“一根藤上的两个瓜”,是不可分割的。只有正确理解绘画与设计的起源与奥秘、特点与使命、异同与对比、整合与发展等,才能对两者的关系有客观的、深刻的、科学的认识,这对提高教学的质量、打造时代所需要的设计人才,弘扬中国元素与民族精神,摘掉中国设计师只会拷贝的帽子,具有建设性意义。

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工业设计 Industrial Design designIndustrial design is an applied art whereby the aesthetics and usability of products may be improved for marketability and production. The role of an Industrial Designer is to create and execute design solutions towards problems of engineering, usability, marketing, brand development and sales.Definition of industrial designGeneralIndustrial Designers are a cross between a mechanical engineer and an artist. They study both function and form, and the connection between product and the user. They do not design the gears or motors that make machines move, or the circuits that control the movement. And usually, they partner with engineers and marketers, to identify and fulfill needs, wants and expectations.In Depth"Industrial Design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer." According to the IDSA (Industrial Design Society of America)Design, itself, is often difficult to define to non-designers because the meaning accepted by the design community is not one made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design, "Design is the process of taking something from its existing state and moving it to a preferred state". This applies to new artifacts, whose existing state is undefined and previously created artifacts, whose state stands to be improved.According to the (Chartered Society of Designers) design is a force that delivers innovation that in turn has exploited creativity. Their design framework known as the Design Genetic Matrix (TM) determines a set of competences in 4 key genes that are identified to define the make up of designers and communicate to a wide audience what they do. Within these genes the designer demonstrates the core competences of a designer and specific competences determine the designer as an 'industrial designer'. This is normally within the context of delivering innovation in the form of a three dimensional product that is produced in quantity. However the definition also extends to products that have been produced using an industrial process. Industrial design is rapidly becoming an obsolete term as 'products' can now be industrially produced as 'one-offs' by the use of Rapid Prototyping Machines. In a post-industrial era and with the emergence of strategic design definitions such as this are incumbering designers and the advancement of design practice.According to the ICSID, (International Council of Societies of Industrial Design) "Design is a creative activity whose aim is to establish the multi-faceted qualities of objects, processes, services and their systems in whole life-cycles. Therefore, design is the central factor of innovative humanization of technologies and the crucial factor of cultural and economic exchange.Process of designAlthough the process of design may be considered 'creative', many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes can be chronological, or as best defined by the designers and/or other team members. Industrial Designers often utilize 3D software, Computer-aided industrial design and CAD programs to move from concept to production. Product characteristics specified by the industrial designer may include the overall form of the object, the location of details with respect to one another, colors, texture, sounds, and aspects concerning the use of the product ergonomics. Additionally the industrial designer may specify aspects concerning the production process, choice of materials and the way the product is presented to the consumer at the point of sale. The use of industrial designers in a product development process may lead to added values by improved usability, lowered production costs and more appealing products. However, some classic industrial designs are considered as much works of art as works of engineering: the iPod, Coke bottle, and VW Beetle are frequently-cited examples.Industrial design has no focus on technical concepts, products and processes. In addition to considering aesthetics, usability, and ergonomics, it can also encompass the engineering of objects, usefulness as well as usability, market placement, and other concerns such as seduction, psychology, desire, and the sexual or affectionate attachment of the user to the object. These values and accompanying aspects on which industrial design is based can vary, both between different schools of thought and among practicing designers.Product design and industrial design can overlap into the fields of user interface design, information design and interaction design. Various schools of industrial design and/or product design may specialize in one of these aspects, ranging from pure art colleges (product styling) to mixed programs of engineering and design, to related disciplines like exhibit design and interior design.Also used to describe a technically competent product designer or industrial designer is the term Industrial Design Engineer. The Cyclone vacuum cleaner inventor James Dyson for example could be considered to be in this category (see his autobiography Against The Odds, Pub Thomson 2002).Industrial design rightsIndustrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. An industrial design consists of the creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs, a WIPO-administered treaty, a procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired.

期刊发表设计类论文

向核心期刊杂志投稿，现在期刊大多采用网上投稿。投稿后期刊编辑经过审稿之后过段时间就会给你答复，在发稿邮箱里查看。然后你就按照期刊的回复内容处理。就这么简单，这个文库文章你可以看下。

艺术设计、平面设计类专业核心期刊《包装工程》--北大核心+CSCD。抄袭率不超过10%包发....对作者身份以及单位没有要求联系恒道论文网李老师问问，从业多年口碑良好

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