关于陶瓷的书籍和论文摘要怎么写

关于陶瓷的书籍和论文摘要怎么写

推荐下面的论文网，希望你会找到相关题材的论文：） 优秀论文杂志，以科技类为主。 综合类 学生大论文中心 大论文中心： 教育论文： -/asp 学位论文： 无忧论文网: 北京语言文化大学论文库: 中国科技论文在线 论文中国 : 新浪论文网分类:_dir/jy/lw/ 中国论文联盟: 论文资料网: 学术论文 论文资料网: 论文下载中心: 毕业论文网: 无忧论文网 论文下载中心 很多分类的。 论文帝国 有分类 。。。

论文摘要写作经验分享视频中引用的两篇文章：[1]刘晓龙 脱落酸（ABA）对水稻耐碱胁迫的诱抗效应及机理研究[D]中国科学院大学，[2]孙丽超 拟南芥PHL2和PHR1共同调控对低磷胁迫的转录响应[D]清华大学，

论陶瓷之种类论近代陶瓷工业的发展

这个应该很好找的，才800字

关于陶瓷的书籍和论文摘要

瓷器就是好，就是好，真好！

《日用陶瓷工艺学》李家驹 武汉理工大学出版社《现代陶瓷艺术》夏德武 安徽美术出版社《中国陶瓷》陆明华 上海外语教育出版社《中国工艺美术史》 朱和平 湖南大学出版社前两本关于陶瓷材料和陶瓷工艺有比较详细介绍，后两本结合发展史有讲解陶瓷艺术部分希望可以帮到你

作为国家文物局统编文博教材之一的《中国陶瓷》，由我国已故的著名古陶瓷专家冯先铭先生主编，著名古陶瓷专家汪庆正、朱伯谦先生等撰稿。该书全面、系统、详尽地论述了中国陶瓷的起源与发展，共分五编，从中国古代陶器与原始瓷、青瓷

最好的书 就是自己亲自到厂房体验 保证你有体会 比书上说的更有实际

关于陶瓷的书籍和论文摘要英文

"陶瓷"是一种通称，"陶"和"瓷"在质地上、物理性能上有很大区别。中国是最早制造陶器的国家之一，是最早发明瓷器的国家。 陶器的出现大约在距今1万年左右，中国进入新石器时代，开始了定居生活，盛水、蓄物等日常生活的需要，促使了陶器的发明。中国陶器的分布比较广泛，主要集中的在黄河流域和长江流域。其中仰韶文化是新石器时期比较有代表性的文化类型，以彩陶为特点，也称"彩陶文化"，它派生出半坡和庙底沟两个类型，装饰图案有很高的艺术价值。马家窑文化是新石器晚期的文化类型，比仰韶文化略晚，距今约5000年。黑陶是继彩陶之后的又一伟大创造发明，距今约4000年的龙山文化时期，出现了工艺独特的蛋壳陶。近些年来，山东、河北一带多有仿制，有较高的收藏价值。秦汉时期的陶俑，是我国古代人物雕塑的高峰，使制陶技术和艺术达到了很高的境地。此外，唐代的三彩器、明清两代的紫砂器等，都是中国陶器文物的重要内容，很值得深入收藏和研究。 陶瓷(Ceramics)，陶器和瓷器的总称。陶瓷的传统概念是指所有以粘土等无机非金属矿物为原料的人工工业产品。它包括由粘土或含有粘土的混合物经混炼，成形，煅烧而制成的各种制品。由最粗糙的土器到最精细的精陶和瓷器都属于它的范围。对于它的主要原料是取之于自然界的硅酸盐矿物(如粘土、长石、石英等)，因此与玻璃、水泥、搪瓷、耐火材料等工业，同属于"硅酸盐工业"(Silicate Industry)的范畴。 陶瓷的发展史是中华文明史的一个重要的组成部分，中国作为四大文明古国之一，为人类社会的进步和发展做出了卓越的贡献，其中陶瓷的发明和发展更具有独特的意义，中国历史上各朝各代不同艺术风格和不同技术特点。英文中的"china"既有中国的意思，又有陶瓷的意思，清楚地表明了中国就是"陶瓷的故乡"。changaiyin 早在欧洲人掌握瓷器制造技术一千多年前，中国人就已经制造出很精美的陶瓷器。中国是世界上最早应用陶器的国家之一，而中国瓷器因其极高的实用性和艺术性而备受世人的推崇。 所谓陶器和瓷器是指用可塑性制瓷粘土和瓷石矿做胎体，用长石和石英等原料制釉，并且通过成型、干燥、烧制而成的制品，主要有日用、艺术、和建筑陶器等三种。考古发现已经证明中国人早在新石器时代(约公元前8000)就发明了陶器。原始社会晚期出现的农业生产使中国人的祖先过上了比较固定的生活，客观上对陶器有了需求。人们为了提高生活的方便，提高生活质量，逐渐通过烧制粘土烧制出了陶器。 随着近代科学技术的发展，近百年来又出现了许多新的陶瓷品种。它们不再使用或很少使用粘土、长石、石英等传统陶瓷原料，而是使用其他特殊原料，甚至扩大到非硅酸盐，非氧化物的范围，并且出现了许多新的工艺。美国和欧洲一些国家的文献已将"Ceramic"一词理解为各种无机非金属固体材料的通称。因此陶瓷的含义实际上已远远超越过去狭窄的传统观念了。 迄今为止，陶瓷器的界说似可概括地作如下描述:陶瓷是用铝硅酸盐矿物或某些氧化物等为主要原料，依照人的意图通过特定的物理化学工艺在高温下以一定的温度和气氛制成的具有一定型式的工艺岩石。表面可施釉或不施釉，若干瓷质还具有不同程度的半透明度，通体是由一种或多种晶体或与无定形胶结物及气孔或与熟料包裹体等微观结构组成。 陶瓷工业是硅酸盐工业的主要分支之一，属于无机化学工业范围但现代科学高度综合，互相渗透，从整个陶瓷工业制造工艺的内容来分析，它的错综复杂与牵涉之广，显然不是仅用无机化学的理论所能概括的。 陶瓷制品的品种繁多，它们之间的化学成分矿物组成，物理性质，以及制造方法，常常互相接近交错，无明显的界限，而在应用上却有很大的区别。因此很难硬性地归纳为几个系统，详细的分类法各家说法不一，到现在国际上还没有一个统一的分类方法。"Ceramic" is a generic term， "Tao" and "Porcelain" in texture， the physical properties there are very China was among the first to create one of the countries of pottery， porcelain was one of the first The emergence of pottery dating back about 1 million years or so， China has entered the New Stone Age， began to settle in life， water， with objects of daily life， such as the need to promote the invention of Chinese pottery wider distribution， mainly in the Yangtze River and Yellow River B Yangshao culture which is the New Stone Age culture more representative of the type， characterized by painted pottery， also known as the "painted pottery culture"， which derived Banpo and Miao Digou two types of decorative patterns， has high artistic Majiayao culture is the culture of the late New Stone Age type than a little late Yangshao culture， since about Black painted pottery is the second after another great invention， since about 4000 the Longshan Culture period， there has been a unique process of eggshell In recent years， Shandong， Hebei and more in the vicinity of imitation， there is a high value for Qin and Han Dynasty pottery figurine of China's ancient sculpture of the peak figure， so that the ceramic technology and the arts reached a high In addition， three of the color of the Tang Dynasty， the Ming and Qing dynasties such as Yixing， China is an important aspect of pottery relics， it is worthy of collection and Ceramics (Ceramics)， the general term for pottery and Ceramic refers to the traditional concept of all inorganic non-metallic minerals such as clay as raw material of artificial industrial It consists of clay from or containing a mixture of clay by kneading， molding， and calcined made of a variety of By the most rough-earth to the most refined of the fine pottery and porcelain are For its main raw materials are derived from natural silicate minerals (such as clay， feldspar， quartz， )， and glass， cement， ceramic， refractory material， such as industry， with an "industrial silicate" (Silicate Industry ) A The history of ceramics is the history of Chinese civilization is an important part of China， as one of the four ancient civilizations， human development and social progress made outstanding contributions， including the invention of ceramics and the development of a more unique significance ， The history of China-North Korea on behalf of all the different artistic styles and different technical English of "china" China not only mean， ceramics and mean， clearly demonstrates China is the "hometown of " changaiyin As early as the Europeans have porcelain manufacturing technology over 1000 years ago， Chinese people have created a very fine China is the world's first application of one of the countries pottery， and porcelain from China for its high artistic quality and relevance of the world have attracted much The so-called pottery and porcelain refers to the use of plastic ware and porcelain clay quarry to do matrix， quartz and feldspar， and other raw materials-glaze， and through the forming， drying， firing from the products， mainly for daily use， art， and architecture Three Archaeological discoveries have proved that the Chinese people as early as the Neolithic Age (about 8000 BC) invented The emergence of primitive society with advanced agricultural production so that the ancestors of the Chinese people lead a life of a relatively fixed， the objective of pottery with the In order to improve people's lives easier， improve the quality of life， gradually burn through the burning out of the clay With the development of modern science and technology， and the past 100 years there have been many new varieties of They no longer use or the use of small clay， feldspar， quartz and other traditional ceramic materials， but the use of other special materials， and even extended to non-silicate， non-oxide scope， and there have been a lot of new The United States and some European countries have literature "Ceramic" understanding of the term for a variety of solid inorganic non-metallic materials Therefore， the meaning of ceramics in fact go far beyond the traditional concept in the past the To date， the Definition of ceramics may be generally described as follows: The ceramic is aluminum silicate minerals such as oxides or as the main raw material， in accordance with the intention of people through specific physical and chemical processes at a high temperature to a certain degree of Temperature and atmosphere made of a certain type of rock Glazing may be on the surface or glazing， porcelain has a number of different levels of transparency and a half， the species by one or more of the crystal and amorphous or cement and clinker with pores or inclusions， such as micro- Portland ceramic industry is one of the main branches of industry， belong to the scope of inorganic chemical However， modern science and highly integrated with each other to infiltrate from the ceramic industry as a whole manufacturing process to analyze the contents of its complex and involve wide， is not only Using the theory of inorganic chemistry can be A wide variety of ceramic products， their chemical Mineral composition， physical properties， as well as manufacturing methods， often close to each other staggered， no boundaries， and in the application there is a huge Therefore， it is difficult to be summed up in a few hard and fast system， a detailed classification of the various different view， the international community to now there is no uniform

Pottery is made by forming a clay body into objects of a required shape and heating them to high temperatures in a kiln to induce reactions that lead to permanent changes， including increasing their strength and hardening and setting their There are wide regional variations in the properties of clays used by potters and this often helps to produce wares that are unique in character to a It is common for clays and other minerals to be mixed to produce clay bodies suited to specific Prior to some shaping processes， air trapped within the clay body needs to be This is called de-airing and can be accomplished by a machine called a vacuum pug or manually by Wedging can also help to ensure an even moisture content throughout the Once a clay body has been de-aired or wedged， it is shaped by a variety of After shaping it is dried before There are a number of stages in the drying Leather-hard refers to the stage when the clay object is approximately 75-85% Clay bodies at this stage are very firm and only slightly Trimming and handle attachment often occurs at the leather-hard Clay bodies are said to be "bone-dry" when they reach a moisture content at or near 0% Unfired objects are often termed Clay bodies at this stage are very fragile and hence can be easily It is believed that the earliest pottery wares were hand built and fired in Firing times were short but the peak-temperatures achieved in the fire could be high， perhaps in the region of 900 degrees Celsius， and were reached very Clays tempered with sand， grit， crushed shell or crushed pottery were often used to make bonfire-fired ceramics， because they provided an open body texture that allows water and other volatile components of the clay to escape The coarser particles in the clay also acted to restrain shrinkage within the bodies of the wares during cooling， which was carried out slowly to reduce the risk of thermal stress and In the main， early bonfire-fired wares were made with rounded bottoms， to avoid sharp angles that might be susceptible to The earliest intentionally constructed kilns were pit-kilns or trench-kilns; holes dug in the ground and covered with Holes in the ground provided insulation and resulted in better control over The earliest known ceramic objects are Gravettian figurines such as those discovered at Dolni Vestonice in the modern-day Czech R The Venus of Dolní Věstonice (Věstonická Venuše in Czech) is a Venus figurine， a statuette of a nude female figure dated to 29，000–25，000 BCE (Gravettian industry) The earliest pottery vessel found to date was excavated from the Yuchanyan Cave in southern China and the Proceedings of the National Academy of Sciences in 2009 reports that the ware dates back to 18，000 years Pottery vessels made by the Incipient Jōmon people of Japan from around 10，500 BCE have also been The term "Jōmon" means "cord-marked" in J This refers to the markings made on clay vessels and figures using sticks with cords wrapped around Pottery which dates back to 10，000 BCE have also been excavated in C It appears that pottery was independently developed in North Africa during the tenth millennium and in South America during the seventh millennium The earliest history of pottery production can be divided into 4 periods namely; the Hassuna period (5000 - 4，500 BCE)， the Halaf period (4，500 - 4000 BCE)， the Ubaid period (4000 - 3000 BCE)， and the Uruk period (3，500 - 2000 BCE) The invention of the potter's wheel in Mesopotamia sometime between 6，000 and 4，000 BCE (Ubaid period) revolutionized pottery Specialized potters were then able to meet the expanding needs of the world's first Pottery was in use in ancient India during the Mehrgarh Period II (5500 - 4800 BCE) and Merhgarh Period III (4800 - 3500 BCE)， known as the ceramic Neolithic and Pottery， including items known as the ed-Dur vessels， originated in regions of the Indus valley and has been found in a number of sites in the Indus valley In the Mediterranean， during the Greek Dark Ages (1100–800 BCE)， artists used geometric designs such as squares， circles and lines to decorate amphoras and other The period between 1500-300 BCE in ancient Korea is known as the Mumun Pottery PThe quality of pottery has varied historically， in part dependent upon the repute in which the potter's craft was held by the community[citation needed] For example， in the Chalcolithic period in Mesopotamia， Halafian pottery achieved a level of technical competence and sophistication， not seen until the later developments of Greek pottery with Corinthian and Attic ware[citation needed] The distinctive Red Samian ware of the Early Roman Empire was copied by regional potters throughout the E The Dark Age period saw a collapse in the quality of European pottery which did not recover in status and quality until the European Renaissance[citation 这是平行文本相关翻译：陶器，是用黏土或陶土经捏制成形后烧制而成的器具，陶器的英文"pottery"可以同时指土器（earthenware）、陶器、石陶器（stoneware）及瓷器的集合。陶器历史悠久，在新石器时代就已初见简单粗糙的陶器。陶器在古代作为一种生活用品，在现在一般作为工艺品收藏。一般认为最早的陶器是手制的，并在篝火（bonfires）烧制。烧制时间短但火达到的最高温度可以很高，约在900℃左右，而且达到的速度很快。黏土与沙、砂砾、打碎的贝壳或打碎的陶器调合后会被用来制造篝火烧制陶瓷器，这是因为它们提供了一个开放的坯体质地令水及其他挥发性成分可以轻易离开。黏土中较粗糙的粒子亦会发挥在冷却时限制陶器坯体内部收缩的作用，此过程以缓慢速度进行，并减低热应力及破裂的危机。早期以篝火烧制的陶器主要是圆底的，用意是避免尖锐的角令破裂容易发生。最早有目的而建设的窑是穴窑（pit kiln）或沟窑（trench kiln），即在地面掘一个洞再在上面铺满燃料。在地面的洞提供了隔离层，令烧制过程可以有更佳的控制。中国最早的陶器出现于新石器时代早期。大约在距今15000年左右，首先在中国南方可能已经开始制陶的试验，到距今9000年左右大致完成了陶器的发明和探索。1962年于江西万年县仙人洞遗址发现的圆底罐，其年代据放射性碳素测试为公元前6875±240年，为夹砂红陶，外表有绳纹。裴李岗文化（公元前5500～前4900年）中的陶器则多为泥质或夹砂红陶，亦有少量灰陶。在接下来的磁山文化（公元前5400年～前5100年）、大地湾文化（公元前5200年～前4800年）、仰韶文化、马家窑文化、大汶口文化、龙山文化可以看出古代中国人的制陶工艺不断发展，品质提高，种类增多。在中国，彩陶出现在公元前4000年左右。"半坡彩陶"为仰韶文化的一部分，在1953年首先于陕西西安市半坡村被发现，主要包含水壶及碗等。一开始它们上面纯粹为红色，但陶器上渐渐有独特的符号，称为半坡陶符，纹饰有动物纹、几何纹、编织纹等。此后在临近各省也发现了类似的陶器。在公元前2500年至2000年的龙山文化中，出现了黑陶，这是中国制陶工艺的一次高峰。 在商朝，有理论认为是当时印欧语系的游牧民族带来陶轮的技术，令陶器量产化。在周朝，以陶轮制作的陶器会以更高温烧制，令其硬度增加，同时亦会使用绿色的釉料。秦朝的陶俑兵马俑成为当时最具代表性的陶器，而在此时陶器的描绘主题由动物转变为人。在汉朝，陶器的描绘主题由为佛教的传播而出现了佛的形象。到了唐朝，中国出现了白色的陶瓷，而同时亦出现了其他陶像，唐三彩成为当时艺术精华的代表。到了宋朝，因为瓷器技术开始成熟令中国的陶器的辉煌被瓷器完全盖过。此后中国的陶瓷器重点便落在瓷器上。然而明清的紫砂壶等陶器乃至近代的江苏宜兴、广东石湾的陶器工艺仍然有非常高的水准。

Fire sparkled the wisdom of human kind， form

关于陶瓷的书籍和论文摘要英语

A Chinese porcelain-ware displaying battles between dragons， Kangxi era (1662-1722)， Qing D Fonthill vase is the earliest Chinese porcelain object to have reached E It was a Chinese gift for Louis the Great of Hungary in Porcelain is generally believed to have originated in C Although proto-porcelain wares exist dating from the Shang Dynasty about 1600 BCE， by the Eastern Han Dynasty (100-200 BCE) high firing glazed ceramic wares had developed into porcelain， and porcelain manufactured during the Tang Dynasty period (618–906) was exported to the Islamic world， where it was highly [4] Early porcelain of this type includes the tri-color glazed porcelain， or sancai Historian SAM Adshead writes that true porcelain items in the restrictive sense that we know them today could be found in dynasties after the Tang，[5] during the Song， Yuan， Ming， and Qing DBy the Sui (about 580 AD) and Tang (about 620 AD) dynasties， porcelain had become widely Eventually， porcelain and the expertise required to create it began to spread into other areas; by the seventeenth century， it was being exported to EKorean and Japanese porcelain also have long histories and distinct artistic

Thin embryo your majesty Gao Mei lives gentleman， is engaged in the ceramic work already more than 50 years， accepts the Chinese country leader to invite many times， to visit various countries' head specially makes the ritual guest thin embryo large bowl， its work many times in places displays such as Hong Kong， Macao， Indonesia， because its bowl has the thin like paper， characteristics and so on Bai Ruyu， sound like Qing， Ming Rujing， but is deep famous litterateur's consistent high praise and the collection from all walks of This time unfolds the bowl is work its 71 year old of!

关于陶瓷的书籍和论文怎么写

关于陶瓷的毕业论文开题报告的格式(通用)由于开题报告是用文字体现的论文总构想，因而篇幅不必过大，但要把计划研究的课题、如何研究、理论适用等主要问题说清楚，应包含两个部分：总述、提纲。 1 总述开题报告的总述部分应首先提出选题，并简明扼要地说明该选题的目的、目前相关课题研究情况、理论适用、研究方法、必要的数据等等。2 提纲开题报告包含的论文提纲可以是粗线条的，是一个研究构想的基本框架。可采用整句式或整段式提纲形式。在开题阶段，提纲的目的是让人清楚论文的基本框架，没有必要像论文目录那样详细。3 参考文献开题报告中应包括相关参考文献的目录4 要求开题报告应有封面页，总页数应不少于4页。版面格式应符合以下规定。开 题 报 告 学 生： 一、 选题意义 1、 理论意义 2、 现实意义 二、 论文综述 1、 理论的渊源及演进过程 2、 国外有关研究的综述 3、 国内研究的综述 4、 本人对以上综述的评价 三、 论文提纲 前言、 一、1、2、3、�6�1�6�1�6�1 �6�1�6�1�6�1二、1、2、3、�6�1�6�1�6�1 �6�1�6�1�6�1三、1、2、3、结论 四、论文写作进度安排 毕业论文开题报告提纲一、开题报告封面：论文题目、系别、专业、年级、姓名、导师二、目的意义和国内外研究概况三、论文的理论依据、研究方法、研究内容四、研究条件和可能存在的问题五、预期的结果六、进度安排

【摘要】：陶瓷与书法艺术虽是两门独立艺术，代写论文但两者自古以来就有着深厚的历史渊源，两者具有相通的艺术特征。现代条件下陶瓷与书法艺术亦交相辉映，不同的陶瓷造型可以采用与其风格相协调的书法来加以装饰，使陶瓷艺术获得锦上添花的效果。虽然书法艺术在陶瓷中的运用仅处于辅助地位，但其作用和意义不容忽视，值得从事陶瓷艺术的人们加以关注和应用。 【关键词】：陶瓷，书法，艺术魅力 引言 陶瓷是泥与火的艺术，书法是笔含墨的艺术。艺术都是相通的，陶瓷与书法原本属于独立艺术，然而艺术间不乏契合。陶瓷同书法艺术的契合给欣赏者感觉无疑是锦上添花。对两者成功的驾驭，在于对两门艺术的解读和深掘，而后达到综合艺术的完美和统一。 1陶瓷与书法的历史渊源 中国制陶起源很早。自古相传“神农氏作瓦器”，“昆吾氏作陶”。而汉字起源同样是历史悠久。远在六七千年前的仰韶文化（半坡类型）与四五千年前的大汶口文化以及马家窑文化（马厂类型），陶器上面常见有作为记事的符号，似可视为汉字的滥觞。可见古代陶瓷和文字的起源，从一开始就有着十分密切的关系。春秋战国时期陶器上面多带有篆书雕印文字，陶器上的文字也成为后人研究战国文字和制陶业的宝贵资料。秦兵马俑身上多刻印有工匠的姓名，如“咸阳午”等，字体有的是篆书，有的则近似草隶。三国、两晋时期是青瓷器普及和发展阶段，同时也是陶瓷书法艺术进一步提高与形成典范的过程。唐代楷书、章草、大草、行书等书写体系逐渐完善，这一时期由于饮茶之风盛行。书法装饰便出现在茶壶、酒坛上，有楷、有草，均有大书法家张旭、怀素、颜、柳之风韵。多写名人诗句或“酒”、“茶”文字，酣畅淋漓，圆润遒劲，纯真自然，配以不同的器物造型之上，极具古朴、简约之美感。宋代书法是我国书法发展的一次高峰，书法艺术方面趋于完善和社会文化素质的提高，反映在陶瓷造型中已有“大巧若愚”的自然之韵。陶瓷上的书法装饰在这一时期自然也就成为其明显的特征，且和谐完美地融合在一起，耀州窑用书法装饰的酒具、茶具，其书法亦颇有“苏、黄、米、蔡”之韵。以至元、明、清各代书法装饰陶瓷也成为一种独特的艺术装饰形式和艺术美感，这有其精神上的必然和谐。 2 0世纪6 0年代以后，随着陶瓷艺术的丰富和发展，代写毕业论文随着人们对陶瓷艺术视野的扩展。陶瓷和书法的结合样式也越来越多地出现，表现手法也越来越多样化，艺术品位也越来越有所提高，书法也逐渐地成为陶瓷装饰中所独具魅力的种类。众多陶瓷书法作品，或以笔写，或以刀刻，或以釉上，或以釉下，各具风采盎然。近年来各地陶瓷艺术家利用各地不同的材质和工艺，创作出大量的优秀作品。如广东佛山的现代陶艺、山东淄博的色釉刻瓷，江西景德镇的陶瓷书法刻划和堆字等。这些作品充分利用书法的形式美和陶瓷材质美在文化内涵和形式上的联系，和谐而自然地结合起来，为陶瓷书法艺术的发展开拓了新的境界。 再从陶瓷发展的历史来看，从原始陶器到彩陶、彩绘陶，再到后来陶与瓷的流脉和传派，陶瓷艺术的奥秘既深藏在历代传承的手工模式之中，更神奇地深藏在从配料、拉坏、成形、装饰到烧制的个体经验之中。因此，陶瓷与书法一样，它的原则、法规、模式、风格、内涵也都受到整个中国文化内涵与形态的制约。 简言之，我国自古以来陶瓷工艺与书法艺术的发生和发展，历史悠久，关系密切，是当时文化、艺术及至政治、经济状况的具体反映。 2陶瓷与书法的艺术特征 陶瓷与书法都是中华民族的传统艺术。从其实质来讲，有相通之处，代写硕士论文两者有着许多共同的文化内涵，有着和谐的审美情趣。 首先，两者都是造型艺术。书法是以线条的流动来表现作者的情感心绪和品格修养。陶瓷造型通过各种线型和体面结合变化，空间的虚实、体量大小关系、轮廓的起伏等，构成陶瓷的造型美。 其次，从审美特征来看，两者都是实用性与艺术性相统一、状物与抒情相统一的艺术。书法无色而具有图画的灿烂，无声而有音乐的和谐，来自自然形象而又远离了自然形象。书写者将自己的精神意蕴、生命情丝、审美趣味化为或纵或收、或枯或润、或粗或细、或刚或柔的线条，并通过这些笔墨线条的枯润、浓淡的个性因素，反映出人的审美经验。汉代的杨雄在《法言》中说：“言，心声也；书，心画也。”唐代孙过庭认为书法艺术可以看出书法艺术家的情感，即“达其情性，形其哀乐”。清代刘熙载更是一语道明：“写字者，写志也”、“书法，如其学，如其才，如其志，总之如其人而已。”