中西服饰文化差异毕业论文范文大全
中西服饰文化差异毕业论文范文大全
Chinese and Western cultural differences in the performance of every aspect of daily life from the greeting 、 term diet and cultural differences in the way of thinking in the abstract, such as differences everywhere, from the West focus on the following colors to express the difference between Chinese and Western cultural differences in areas such as a wedding First, in the West to express the color difference Different colors in different languages is not expressed in the same The representative of China in a sense, the West has a meaning that even the "color" to understand the meaning of the (A) red (red) Whether in China or in the English-speaking countries, often in red and festive celebrations or day- Calendar, red font used these days, therefore, red letter day: refers to the "Day" or "happy " It also refers to the red "liabilities" or "loss" because people are always negative in red to So there are these phrases: red figure deficit in the red loss In common with the Chinese "red" words, translated into English, may not necessarily use the "red" for example: brown sugar brown sugar red wine red wine (B) yellow Yellow in English and Chinese in the extended meaning of the differences are In English, yellow can be said that the "timid, cowardly, despicable," meaning, for example: a yellow dog despicable, cowardly people a yellow livered coward Chinese yellow symbol of the term is sometimes vulgar, vulgar and obscene, indecent indecency means, such as yellow film, erotica, yellow CD, and so These in the name of "yellow" in English and "yellow" has nothing to However, in another English word blue is the color used to indicate the kind of meaning in Chinese, such as the blue jokes (dirty joke), blue films (yellow film) Second, the cultural differences in Western wedding First of all, in Western wedding culture and the first in the West in thinking about the differences: the Chinese people more conservative, like excitement, more old-fashioned thinking, so in the history of China for thousands of years the entire wedding customs did not change The thinking in the West is more open to the requirements of the wedding will be lower, they will be the climax of the wedding in the church: the sacred as the "wedding march" into the red carpet, Jiao Mei's father, the bride linked hands Rose walked slowly to the groom, the bride's father, daughter to the groom's hand on hand, her daughter's life will be entrusted to the groom, all eyes followed the couple, filled with well-being in their Second, the result of cultural differences wedding in the West because the West in a different China is mainly Buddhist, but the West is mainly C Therefore, the Western wedding is to be held in the church and the priest is Zhuhun R China's traditional customs of the most important part of the Bai Tiandi is, the worship heaven and earth even after the ceremony has 中西方文化差异表现在方方面面,从日常生活的打招呼用语、饮食文化等差异到思维方式等抽象方面的差异无所不在,下面着重从中西方颜色表达的差异,中西方婚礼文化差异等方面阐述。 一、中西方颜色表达的差异 不同颜色在不同语言中表达的方式并不一样。在中国代表一种意义,在西方又表示一种涵义,甚至对“颜色”的涵义理解恰恰相反。(一)red(红色)无论是在英语国家还是在中国,红色往往与庆祝活动或喜庆日子有关。日历中,这些日子常用红色字体,因此,red letter day:指的是“纪念日”或“喜庆的日子”。红色还指“负债”或“亏损”,因为人们总是用红笔登记负数。于是就有了这些词组:red figure赤字 in the red亏损汉语中常用的带“红”字的词语,翻译成英语,可不一定用“red”例如: 红糖brown sugar 红酒red wine (二) yellow黄色在英语和汉语中的引申含义差别比较大。英语中,yellow可以表示“胆小、卑怯、卑鄙”的意思,例如:a yellow dog 可鄙的人,卑鄙的人a yellow livered 胆小鬼汉语中黄色一词有时象征低级趣味、色情庸俗、下流猥亵的意思,如黄色电影、黄色书刊、黄色光碟等等。这些名称中的“黄”与英语中的“yellow”无关。然而,英语中另一个颜色词blue却常用来表示汉语中这类意思,如blue jokes(下流的玩笑), blue films(黄色电影)等。 二、中西方婚礼文化差异 首先,中西方婚礼文化差异首先和中西方人在思维方面的差异有关:中国人比较保守,喜欢热闹,思维较古板,所以在中国历史几千年的时间里整个婚礼的习俗并没有多大的变化。而西方人的思想则比较开放,对于婚礼的要求也比较低,他们婚礼的高潮则是在教堂中:随着神圣的《婚礼进行曲》步入鲜红的地毯,娇美的新娘挽着父亲手捧玫瑰慢慢向新郎走去,新娘的父亲将女儿的手放在新郎的手上,将女儿的一生托付给新郎,所有人的目光注视着这对新人,幸福洋溢在他们的脸上。其次,造成中西方婚礼文化差异的原因是中西方不同的宗教。中国是以佛教为主,而西方则是基督教为主的。所以西方的婚礼是在教堂中举行而主婚人则是神甫。中方的传统婚俗中的最重要环节就是拜天地,拜了天地以后就算是礼成了。
这个很宽范的,首先你要说明什么是服饰文化以及研究其的意义。然后你要确定要研究差别或者共性还是其他什么,从各个时期的服饰的变迁来说明服饰文化的变化。建议你选择西方对中方的影响,因为现代中国的服饰已经随意西方大流而发展,为什么会出现这样的现象呢?是好还是不好?再根据你的专业或者你写这篇文章的目的确立一个意义。
如果说西方服饰文化刻意追求表现人体美,而完全忽视了服饰伦理,那么,中国服饰文化由于受到传统的伦理价值观念的影响还或多或少地保留着一些道德上的体统。譬如《礼记·王制》说:“作淫声异服。奇球奇器以疑众,杀!”(易·系辞》认为:‘始容诲淫”。《左传》称“贪色为淫”。《系辞》是秦、汗间的儒生所作,其后,赵飞燕、梁冀及其妻子等在服饰上的追求奇异和生活的淫乱,更说明了“冶容诲淫”。然而,尽管中国传统服饰文化没有或者很少突出对人体美的直接赞赏,但在一些古典文学作品里不乏对人体美的描写。从《诗经》,骚赋到明清的小说和传奇,其中都有这类描写,譬如“肌如白雪,腰如束素”。“肤如凝脂”、“虎背熊腰”,而且更多的是人与服饰共同构成的美的形象;“著我绣荚裙,事事四五通,足上蹑丝履,头上玳瑁光,腰若流纨素,耳著明月铛,指如削葱根,口如含珠丹,纤纤作细步,精妙世无双。”(《古诗为焦仲卿妻作》);“三月三日天气新,长安水边多丽人。态浓意远淑且真,肌理细腻骨肉匀。绣罗衣赏照暮春,蹙金孔雀银麒麟。头上何所有?翠微訇叶垂鬓唇。背后何所见?珠压腰 稳称身。”(《丽人行》)或许有人会以现代女性服装中的旗袍为例,来证明中国女装也着重表现人体的自然美,其实,这种旗袍是在本世纪上半叶受西方服饰审美趣味影响的结果,直至光绪年间,旗袍还不是现在的式样。传统旗袍在肩、胸、腰、臂、臀等部位的表现与突出人体美的西方女性服装完全不一样。和西方服饰艺术不同的是:中国服饰艺术不是突出人体美,而是充分调动艺术造型等手段追求一种装饰美,即一种超越形体的精神空间。从中国清朝以前的服装款式来看,遮蔽人体的宽抱大油是中国传统服饰的主流。既使某些人的形体很美,这种服装也不去展现这个美的形体。《资治通鉴》引萧何的话说:“天子以四海为家,不壮不丽无以重威,”从这层意义上去看宽抱大袖的中国古代皇帝礼服,我们应会明白它们为什么不去表现皇帝的形体美,而是着重写意传神,突出他们端庄威严的精神力量。屈原在《涉江》中言:“余幼好此奇服兮,年既老而不衰,带长铗之陆离兮,冠切云之崔嵬。”他以穿戴富有自己个性的服饰来表现自己愤世嫉俗,不趋炎附势的气度和情怀。西方服饰人体直观美和中国服饰人体装饰美的区别反映了两种文化形态价值取向的不同。林语堂就曾经指出:“大约中西服装哲学上不同之点,在于西装意在表现人身形体,而中装意在遮盖它。”(《生活的艺术》)莱辛说:“我承认衣服也有一种美,但是比起人体美来,衣服美算得上什么呢?”(转引自《西方美学家论美和美感》)而林语堂则持相反观点:“只有在没有美感的社会,才可以容得住西装……西装的式样是这样的,使街上的行人都会知道你的腰身是三十二寸或三十八寸……一般痴肥的四十岁妇女,穿起祖胸露背的晚服来赴歌剧的初夜公演,这也是西洋发明的刺目事物之一。(《生活的艺术》) 然而,由于中国服饰文化缺乏象伊斯兰一样的宗教观念的制约,所以很难抵卸西方突出人体美的服饰审美价值观的侵蚀。近代的旗袍和现代都市女性的各种扭四人体的服装便证明了这一点。中国有句俗语:“穿衣戴帽各随所好”。这说明中国服饰文化在一定程度上缺少伦理的约束。 当然西方服饰也吸收中国传统服饰的某些特点,譬如,当中国现代服装采用西方女装那种坦肩露背的领式时,西方则采用中国旗袍的立式领,但西方对中国传统服饰特点的吸收和借鉴毕竟是微乎甚微的。中国传统服饰的审美价值观不可能从整体上去改变或者去替代西方人的审美定势,而西方服饰文化则已形成对中国传统服饰文化的强大冲击波,中国人似乎不知不觉地在面临着服饰上的异化。 和伊斯兰服饰文化不同的另一个方面是:中西当代和现代服饰最引人注目的一个特点是:服饰款式不断翻新,追求品牌,高速淘汰,从而给经济资源带来巨大的浪费。这同反对奢靡浪费的伊斯兰服饰伦理学形成了鲜明的对比。翻阅近二十年来中西各国时装杂志,我们很容易发现,许多服装款式的平均寿命只有三至六个月,甚至更短。仅以裙子的款式为例,在二十世纪七十年代就有“中庸裙”、“密实裙”、“密摺把裙装”、“开裙”、“层叠裙装”、古典式裙装”相继问世。许多服装设计师每年都要推出许多新的服装款式,在不断地人为地刺激服装款式高消费的同时也不断地刺激人们的其他欲望。据国外有关资料报道,当英国王妃戴安娜得知自己被列为一九八三年‘十大衣着最差女性”榜首时,感到十分羞傀和难堪,连英国的许多平民百姓也为她祈祷。这一事例极具有讽刺意义。它表明:服饰早已超越了普通人,甚认为,服饰不仅具有实用和装饰的功效,而且更重要的是,它有体现人类在信仰上的崇高精神境界的作用和意义。而中西服饰文化则将服饰艺术视为服装设计的首要原则,前者重装饰艺术;后者重人体艺术。伦理观念对服装设计与制作的调节作用受到不同程度的弱化或摈弃。甚至是英国成员的消费标准和审美标准。这种情形正如乔维诺庞达诺曾指出的:“我们每天都看到服装是这样变更花样,四个月前还认为满意的服装,今天就已经过时而遭到摈弃。这种放荡不羁,只能受到谴责而无法加以禁止。”(《君主论》)虽然服装上的铺张浪费和追求新奇效应在中国传统服饰文化中从未占据主导地位,但不少有识之士对此却有警世之言在先,譬如,墨子就曾讲过:“为衣服之法,冬则练帛之中,足以为轻且暖;夏则缔络之中,足以为轻且清,谨此则止。故圣人之为衣服,适身体和肌肤而足矣,非荣耳而观愚民也……当今之主,其为衣服……铸金色为钩,珠玉以为佩,女工作文采,男工作刻接,以为身服。此非云益暖之情也,单财劳力,毕归之于无用也。以此观之,其为衣服,非为身体,皆为现好。是以其民淫僻而难治,其君奢侈而难谏也。”(《墨子·辞过》)墨子的话语是多么的中肯和精辟,但至今仍遭非议。 此外,当今的有些时装设计师还有意追求某种荒诞离奇的视觉效应。譬如在西方和日本等国曾一度流行过的“乞丐装”,人们故意把衣服弄破,东拖一片,西挂一片,甚至弄成衣不蔽体的样子。或者用陈旧肮脏的布来制作。 至于伊斯兰服饰伦理学坚决反对的男扮女装,女扮男装,在中西现代服饰中更是司空见惯,屡见不鲜。我们在街上常常可以看到身着男式服饰的所谓“假小子”和头扎辫子,耳戴金环的妖艳男子。还有些服装似乎是受了西方女权主义思潮的影响,有意在消除两性之间的特征差别,提倡所谓:中性服饰”或者“服饰中性化”。 一、伊斯兰服饰文化是以伊斯兰教义这一最根本的、最合理的价值观作为统摄服饰的文化、历史、时代、心理、审美等诸要素的最高主导思想。伊斯兰服饰艺术根本无需伦理学的干预,因为艺术本身就足以陶冶人们的高尚情操。 二、伊斯兰服饰文化强调服装必须遮盖羞体。因为虽然人体作为安拉的创造物是均称健美的,但人体是有男女之别的。暴露羞体很容易激起本能的情欲,从而败坏道德,使人降格为同动物一般。而西方服饰文化则有意突出人体。在将人体作为一种美来观赏时,忽略了人体美的特殊性及人体审美经验的特殊性,混淆了人体美与其他美的形态之间的差异。这种展现和突出人体的审美观是西方服饰文化的基础。它在某种程度上是古罗马文化的历史沉淀。而中国传统服饰文化虽然在一定程度上受到传统伦理价值观的约束,不是重人体的直观表现,而是重装饰的写意和传神,但这种传统伦理价值观缺少象伊斯兰伦理学一般的坚固支撑——认主独一的正信和后世归宿的最终关怀,因此,很难抵卸西方审美价值观在服饰设计与制作上的非道德化倾向的侵蚀,使自身最终发生异化
%D6%D0%CE%F7&btn=+%CB%D1%CB%F7+ 1、 (英语系毕业论文)中西戏剧发展快慢对比及其原因 摘 要 中西戏剧都有悠久的历史,无论是西方戏剧还是中国戏剧,都起源于民间,并与原始人祭祀神灵,欢庆节日的仪式密切联系在一起的。回顾希腊戏剧产生形成的历史,它发展快,成就高,在世界上的影响很 类别:毕业论文 大小:95 KB 日期:2007-07-14 2、 (英语系毕业论文)从中美管理方式的不同透析中西方文化差异与整合 摘 要随着全球化的来临,中国与外界的交流越来越频繁,特别是在商界。本论文主要探讨中美在管理上的交流。如今的商界,如同一个大家庭,参与者遍布世界各地。正是由于这个原因,各国的管理模式也趋于一体化。但是 类别:毕业论文 大小:85 KB 日期:2007-06-26 3、 (英语系毕业论文)在经济全球化下中西方文化差异与跨文化管理 摘 要伴随着世界经济的快速增长,跨国公司的飞速发展, 全球商业活动的猛烈激增,同时伴随着在文化多样化环境下的相关管理问题的出现,跨国公司的人员必须与来自不同文化背景的人打交道,这种文化差异时而会造成 类别:毕业论文 大小:96 KB 日期:2007-06-26 4、 (英语系毕业论文)中西服饰文化差异对语言的影响 摘 要中西服饰受其各自不同哲学和文化的影响体现出不同的特征:儒家思想和大陆文明使中国服饰呈现出繁冗,宽博的特征。它不注重外表的装饰,以宽松的衣服遮掩身体的曲线,在思想上追求人格的完美,以“谦谦君 类别:毕业论文 大小:90 KB 日期:2007-06-25 5、 (英语系毕业论文)快餐食品对中西方传统饮食文化的影响力 摘 要自古以来,中国就是一个以礼待人的礼仪之邦。而在不同的国家、不同的地区,礼仪的形式也有所不同。本文主要从礼仪的角度谈论了礼仪与中西方文化之间的联系及相互影响,目的是为了消除不同国家之间的不同 类别:毕业论文 大小:88 KB 日期:2007-06-25 6、 (英语系毕业论文)从礼仪角度谈中西文化的差异性 摘 要自古以来,中国就是一个以礼待人的礼仪之邦。而在不同的国家、不同的地区,礼仪的形式也有所不同。本文主要从礼仪的角度谈论了礼仪与中西方文化之间的联系及相互影响,目的是为了消除不同国家之间的不同 类别:毕业论文 大小:85 KB 日期:2007-06-23 7、 (英语系毕业论文)中西饮食文化及其差异 摘 要中国悠久历史5000年,西方世界五六百年的社会历程。中国有灿烂丰富、博大精深的饮食文化;西方国家则有精巧专维、自成体系的饮食文明。民以食为天,中国有自己独特丰富的饮食文化底蕴。然而今天除了中国 类别:毕业论文 大小:100 KB 日期:2007-06-21 8、 (英语系毕业论文)中西酒店文化比较及探讨 摘 要在经济蓬勃发展的今天,旅游业风风火火地发展起来了,作为与旅游业相配套的酒店业也相应的完善起来,且更加趋于国际化。中国已经入世,这更给中国的酒店业带来一个新的发展契机,但世界上酒店发展规模空前,
中西服饰文化差异毕业论文范文
Chinese and Western cultural differences in the performance of every aspect of daily life from the greeting 、 term diet and cultural differences in the way of thinking in the abstract, such as differences everywhere, from the West focus on the following colors to express the difference between Chinese and Western cultural differences in areas such as a wedding First, in the West to express the color difference Different colors in different languages is not expressed in the same The representative of China in a sense, the West has a meaning that even the "color" to understand the meaning of the (A) red (red) Whether in China or in the English-speaking countries, often in red and festive celebrations or day- Calendar, red font used these days, therefore, red letter day: refers to the "Day" or "happy " It also refers to the red "liabilities" or "loss" because people are always negative in red to So there are these phrases: red figure deficit in the red loss In common with the Chinese "red" words, translated into English, may not necessarily use the "red" for example: brown sugar brown sugar red wine red wine (B) yellow Yellow in English and Chinese in the extended meaning of the differences are In English, yellow can be said that the "timid, cowardly, despicable," meaning, for example: a yellow dog despicable, cowardly people a yellow livered coward Chinese yellow symbol of the term is sometimes vulgar, vulgar and obscene, indecent indecency means, such as yellow film, erotica, yellow CD, and so These in the name of "yellow" in English and "yellow" has nothing to However, in another English word blue is the color used to indicate the kind of meaning in Chinese, such as the blue jokes (dirty joke), blue films (yellow film) Second, the cultural differences in Western wedding First of all, in Western wedding culture and the first in the West in thinking about the differences: the Chinese people more conservative, like excitement, more old-fashioned thinking, so in the history of China for thousands of years the entire wedding customs did not change The thinking in the West is more open to the requirements of the wedding will be lower, they will be the climax of the wedding in the church: the sacred as the "wedding march" into the red carpet, Jiao Mei's father, the bride linked hands Rose walked slowly to the groom, the bride's father, daughter to the groom's hand on hand, her daughter's life will be entrusted to the groom, all eyes followed the couple, filled with well-being in their Second, the result of cultural differences wedding in the West because the West in a different China is mainly Buddhist, but the West is mainly C Therefore, the Western wedding is to be held in the church and the priest is Zhuhun R China's traditional customs of the most important part of the Bai Tiandi is, the worship heaven and earth even after the ceremony has 中西方文化差异表现在方方面面,从日常生活的打招呼用语、饮食文化等差异到思维方式等抽象方面的差异无所不在,下面着重从中西方颜色表达的差异,中西方婚礼文化差异等方面阐述。 一、中西方颜色表达的差异 不同颜色在不同语言中表达的方式并不一样。在中国代表一种意义,在西方又表示一种涵义,甚至对“颜色”的涵义理解恰恰相反。(一)red(红色)无论是在英语国家还是在中国,红色往往与庆祝活动或喜庆日子有关。日历中,这些日子常用红色字体,因此,red letter day:指的是“纪念日”或“喜庆的日子”。红色还指“负债”或“亏损”,因为人们总是用红笔登记负数。于是就有了这些词组:red figure赤字 in the red亏损汉语中常用的带“红”字的词语,翻译成英语,可不一定用“red”例如: 红糖brown sugar 红酒red wine (二) yellow黄色在英语和汉语中的引申含义差别比较大。英语中,yellow可以表示“胆小、卑怯、卑鄙”的意思,例如:a yellow dog 可鄙的人,卑鄙的人a yellow livered 胆小鬼汉语中黄色一词有时象征低级趣味、色情庸俗、下流猥亵的意思,如黄色电影、黄色书刊、黄色光碟等等。这些名称中的“黄”与英语中的“yellow”无关。然而,英语中另一个颜色词blue却常用来表示汉语中这类意思,如blue jokes(下流的玩笑), blue films(黄色电影)等。 二、中西方婚礼文化差异 首先,中西方婚礼文化差异首先和中西方人在思维方面的差异有关:中国人比较保守,喜欢热闹,思维较古板,所以在中国历史几千年的时间里整个婚礼的习俗并没有多大的变化。而西方人的思想则比较开放,对于婚礼的要求也比较低,他们婚礼的高潮则是在教堂中:随着神圣的《婚礼进行曲》步入鲜红的地毯,娇美的新娘挽着父亲手捧玫瑰慢慢向新郎走去,新娘的父亲将女儿的手放在新郎的手上,将女儿的一生托付给新郎,所有人的目光注视着这对新人,幸福洋溢在他们的脸上。其次,造成中西方婚礼文化差异的原因是中西方不同的宗教。中国是以佛教为主,而西方则是基督教为主的。所以西方的婚礼是在教堂中举行而主婚人则是神甫。中方的传统婚俗中的最重要环节就是拜天地,拜了天地以后就算是礼成了。
中西服饰文化对比总结 通过做这次作业,我对中西方服饰文化有了一些更深入的了解与感悟。用一句话来总结就是时代在发展、社会在进步、中西服饰在融合。越来越国际化。下面我就来总结一下中西方各自服饰文化的特点以及进行一下差异对比。 中国服饰的特点: ①式样,女子穿上衣下裳式样的较多,男子多穿上下连属的袍衫。 ②外形,外形强调纵向感觉,使着装人体显得修长,特别是使四肢有拔长感。 ③结构特征,外形强调纵向感觉,使着装人体显得修长,特别是使四肢有拔长感。 ④图案,喜好运用图案表示吉祥的祝愿。 西方服饰的特点: ①古波斯服饰,披挂、直筒紧身式 ②古希腊服饰,优美、典雅 ③古罗马服饰,豪华富丽、庄严 ④拜占庭服饰,造型呆板、僵硬 ⑤哥特式服饰,新奇、怪诞和大胆 ⑥文艺复兴时期服饰,人体曲线成为了服装的审美关键 ⑦巴洛克服饰,男装最艳丽最疯狂的时期 ⑧洛可可服饰,将女人推到繁华至极的盛装 中西服饰文化的共同点: ①社会功能,中国人很早就以服装来“辨等威、显贵贱”,用森严的服饰制度来规范各色人等的社会行为和权限。西方人也同样重视这种社会功能,进入封建社会后,虽然西方的封建官员还没有中国历代那样完整的章服制度和区分级别的“制服”,但王宫贵族的穿戴与一般平民是有鲜明区别的。 ②装饰审美功能,服装的装饰审美功能已经越来越受到人们的重视,已成为推动服装改进创新的一大源动力。 ③形态构成,从造型理念和造型意识上看,都是平面的。从裁制方式上看,都是直线裁剪的。 对于中西服饰的发展与交,流相信在将来会有更大的进步空间 。作为人类文化的组成部分,两种服饰文化之间也有许多相似甚至相同的地方,这是两者之间相互融合,共存、共荣的基础。未来中西双方的服饰文化会有质的飞越。
Abstract: Dress culture is a cultural phenomenon unique to human As it has different aesthetic ideas, different dressing concepts and different dress etiquette in China and west, it forms Chinese and western dress culture of the different connotation and This thesis is divided into four major The first part describes the different features of Chinese and western dress and why people wear The second part describes cultural differences between Chinese and western The third part gives an analysis of Chinese and western dress The last part describes Chinese and western dress aesthetic culture and dress Based on the analysis, the thesis finally draws a Chinese and western dress culture each has rich connotation and distinct characteristics, which are precious cultural legacy which is left by human ancestors and are the world culture At the same time, we treasure our own civilization of five thousand years instead of belittling It is significant to promote and develop our unique costume We are confident and make contributions to realizing the rejuvenation of our Chinese nation and enriching the clothing culture of the whole Key words: Chinese and western clothing; culture;differences;aesthetic culture and clothing concepts 摘要摘要摘要摘要::::服饰文化是人类特有的文化现象。由于中西方各民族的审美观念、着装理念和服饰礼仪的不同,从而形成了不同内涵、不同特色的中西方服饰文化。本文共分为四部分。第一部分主要介绍了中西服饰的不同特征以及为什么人要穿衣服,第二部分写中西方服饰的差异,第三部分写导致中西方服饰文化差异的原因,第四部分则写中西方服饰审美文化和着装理念。通过以上简单的论述,最后得出结论,中西方服饰文化各具有丰富的内涵和鲜明的特色,她们都是人类祖先留下来的宝贵文化遗产 ,是世界文化的瑰宝。与此同时,我们应该珍惜自己五千年的文明而不是贬低自己的文明。促进和发展我们独特的民族服饰文化具有重要的意义。为了实现我们中华民族的文化复兴和丰富整个世界的文化,让我们自信起来吧! 关键词关键词关键词关键词::::中西服饰;文化;差异性;审美文化与着装理念Introduction Costume culture, carried by costume, is a respect of our physical and spiritual life and a mixture of our psychological activities like consciousness, emotion, idea and The rapid development of advanced technology makes multiculturalism stand out and also makes conflicts between China and the West In that case, it becomes more and more important to recognize the similarities and differences of costume culture between China and the W Nowadays, the whole world is, to some extent, dominated by the western costume culture, which has wound its way into the daily life of the whole world, together with technology, life style and values from the W Quite popular in China, it’s nominally called “internationalization” or “globalization” In recent years, the costume industry of China has developed The “international” costume, featured by the western costume culture, has become a pretty important part of our daily However, as our economy takes off, international status rises and living standard improves, a wave of national costume culture resurgence is Moreover, people from the West pay more and more attention to the giant dragon in the East——C Western costume designers constantly introduce Chinese costume cultural elements to their latest Those phenomena arouse a series of thoughts: what distinguishes Chinese costume culture from the western one? Are there any similarities between them? What kind of costume culture will we Chinese hold as the mainstream in the future, the so-called “international” western one, the Chinese one or the fusion of the two? To obtain the answers to these questions, we are supposed to study and contrast carefully the characteristics and developing processes of them, and then draw some To contrast the costume culture between China and the West, it is necessary for us to master a good knowledge of the Chinese and western costume cultural Chapter 1 Chinese and western dress 1 The different features of Chinese and western dress China is known as “Xia” as it’s a land of propriety, and it’s also known as “Hua” with the beauty of its (①《左传》p83) Our national costume is H It originated in the Yanhuang era, formed in the Spring and Autumn Period and officially took form in Han D That’s the reason why it’s called “Hanfu” Since then, in spite of historical evolutions of all ages, their basic characteristics have never Hanfu, on the whole, can be divided into four developing stages: Zhou Han Hanfu, Wei Jin Hanfu, Sui Tang Hanfu and Song Ming H Zhou Han Hanfu was featured by dignity and simplicity, while Wei Jin Hanfu by chic and elegance, Sui Tang Hanfu by dignified, graceful, elegant and poised Hanfu in Song and Ming Dynasties epitomizes the characteristics of the past-simple, dignified, elegant, In Qing Dynasty, Hanfu was forbidden by the government and disappeared from the land of C The main features of Chinese clothing are focusing on the right collar’s overlap, the band deducted hidden, big sleeves, no buttons and using string binding, giving the impression of free and easy These characteristics are obviously different from those of other ethnic Hanfu is divided into uniform and common With strict standards, uniform is dressed on formal occasions while the common clothing, without long sleeves, is very convenient to people’s daily However, the western clothing is different form the Chinese The West belongs to Marine civilization, it emphasizes the subjective and objective separation and that we should rationally treat clothing, advocate releasing personality, stress dress effect and be good at showing beautiful the posture of the Besides, we use various clipping, color collocation means to perfect bodily curve and give a person with visual comfort in the A suit, also known as a business suit, comprises a collection of matching clothing consisting of: a coat﹙commonly known as a jacket﹚,a waistcoat﹙optional﹚﹙USA vest﹚for men, a pair of trousers﹙USA pants﹚, or for women, a shirt or A suit is generally accompanied by torment, a shirt and tie or for women, a 2 Why people wear clothingChinese people are concerned more about its social function of helping to rule a country well than that of keeping warm or It has a lot to do with ruling a country to regulate the dressing way of the common Nevertheless, the westerners pay more attention to its wealth value and Therefore, people put on clothing for functional and social 1 The functional reason The first use of clothing is to resist the cold and cover the Functions of clothing include providing the human body protection against extremes of climate (extreme heat, icy winters, and drenching storms) and protection against insects, noxious, chemicals, and contact with abrasive In sum, clothing protects human beings against anything that might injure the naked, unprotected human 2 The social reason Clothing also delivers social messages to other Social messages sent by clothing, accessories, and decorations can involve social status, occupation, ethnic and religious belief, marital status, cultural degree and sexual availability, For example, only Roman citizens can wear “Toga” in Rome while dragon robe can only be dressed by the emperor in C
中西服饰文化差异毕业论文选题
%D6%D0%CE%F7&btn=+%CB%D1%CB%F7+ 1、 (英语系毕业论文)中西戏剧发展快慢对比及其原因 摘 要 中西戏剧都有悠久的历史,无论是西方戏剧还是中国戏剧,都起源于民间,并与原始人祭祀神灵,欢庆节日的仪式密切联系在一起的。回顾希腊戏剧产生形成的历史,它发展快,成就高,在世界上的影响很 类别:毕业论文 大小:95 KB 日期:2007-07-14 2、 (英语系毕业论文)从中美管理方式的不同透析中西方文化差异与整合 摘 要随着全球化的来临,中国与外界的交流越来越频繁,特别是在商界。本论文主要探讨中美在管理上的交流。如今的商界,如同一个大家庭,参与者遍布世界各地。正是由于这个原因,各国的管理模式也趋于一体化。但是 类别:毕业论文 大小:85 KB 日期:2007-06-26 3、 (英语系毕业论文)在经济全球化下中西方文化差异与跨文化管理 摘 要伴随着世界经济的快速增长,跨国公司的飞速发展, 全球商业活动的猛烈激增,同时伴随着在文化多样化环境下的相关管理问题的出现,跨国公司的人员必须与来自不同文化背景的人打交道,这种文化差异时而会造成 类别:毕业论文 大小:96 KB 日期:2007-06-26 4、 (英语系毕业论文)中西服饰文化差异对语言的影响 摘 要中西服饰受其各自不同哲学和文化的影响体现出不同的特征:儒家思想和大陆文明使中国服饰呈现出繁冗,宽博的特征。它不注重外表的装饰,以宽松的衣服遮掩身体的曲线,在思想上追求人格的完美,以“谦谦君 类别:毕业论文 大小:90 KB 日期:2007-06-25 5、 (英语系毕业论文)快餐食品对中西方传统饮食文化的影响力 摘 要自古以来,中国就是一个以礼待人的礼仪之邦。而在不同的国家、不同的地区,礼仪的形式也有所不同。本文主要从礼仪的角度谈论了礼仪与中西方文化之间的联系及相互影响,目的是为了消除不同国家之间的不同 类别:毕业论文 大小:88 KB 日期:2007-06-25 6、 (英语系毕业论文)从礼仪角度谈中西文化的差异性 摘 要自古以来,中国就是一个以礼待人的礼仪之邦。而在不同的国家、不同的地区,礼仪的形式也有所不同。本文主要从礼仪的角度谈论了礼仪与中西方文化之间的联系及相互影响,目的是为了消除不同国家之间的不同 类别:毕业论文 大小:85 KB 日期:2007-06-23 7、 (英语系毕业论文)中西饮食文化及其差异 摘 要中国悠久历史5000年,西方世界五六百年的社会历程。中国有灿烂丰富、博大精深的饮食文化;西方国家则有精巧专维、自成体系的饮食文明。民以食为天,中国有自己独特丰富的饮食文化底蕴。然而今天除了中国 类别:毕业论文 大小:100 KB 日期:2007-06-21 8、 (英语系毕业论文)中西酒店文化比较及探讨 摘 要在经济蓬勃发展的今天,旅游业风风火火地发展起来了,作为与旅游业相配套的酒店业也相应的完善起来,且更加趋于国际化。中国已经入世,这更给中国的酒店业带来一个新的发展契机,但世界上酒店发展规模空前,
Western novels in comparison First, Western novels in the history of the development of Western novels are based on myths and legends of its In ancient times, science developed, out of fear of nature, the working people out of the imagination is the key to many of the world "God", describing the personification of God is a myth; who will describe the deified, that is China opened the world's Pan story, the story of San Juan Five Emperors, the West Greek mythology, Roman mythology, Norse mythology, and so on are all typical East and West, the original novel, is closely linked with the history, as historical records complement the China Pre-Qin prose in the fable, the Han dynasty in the history books, biographies, the Wei and Jin Zhi, Zhi-person novel; the West of ancient Babylon, "the United States and Ji Jia disabilities epic", in ancient Greece, "Homer's epic," "Aesop's Fables "And so on, fall into this category, fiction, novels such novels have been about the characteristics of fiction, it is still not the literary creation, directly from the private collection record, so this type of fiction plot is relatively simple, writing rough Ban Gu said, "On the Street Lane words, hearsay are made of" is a novel kind of accurate assessment of the China's Tang Dynasty, the novel is only from history and literature become a Tang Dynasty culture has developed, the author's ideas are more open, the legend came into being at this time, Li Zhaowei "Liu Yi Chuan", Po Chu's "Everlasting Regret," Wolf's "Everlasting Regret Chuan" And so on, are made in accordance with the creation of the For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent, not just the history of the nature of things, but as the history of Zhi Zhi who is also the novel did not The Legend of the Song Dynasty to the novel on a gradual decline, which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms", "Outlaws of the Marsh", "Journey to the W" The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known, there are obvious story-telling style of Here by the redevelopment, it will become an independent literary creation rather than things to come together with the civil process, the representative of this type is the "Golden Lotus", it was an open and ordinary life on the road, the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the "54" after the novelist began to learn from China's western fiction writing practices, and gradually out a new Western novels, is the "Renaissance" after the rapid development of The development of the Middle Ages novel near-stagnation in the West, 14, the end of the century "Renaissance" to overthrow the literature of the Church of control, 15, appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels, is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main Jiaqiu Italy's "Decameron", Spain's Cervantes "Don Quixote" is the kind of representative works of The resulting novel is a classical, elegant favor of its national language to standardize the writing of this novel in 17th century France's most well- As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially The beginning of the 18th century to promote popular science knowledge, enlightenment of the public consciousness for the purpose of the Enlightenment novels, of which there are relatively well-known German Goethe's "Faust", the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on, this type of novel to the emergence of the bourgeois revolution at the time to mold public In the 19th century, romantic fiction, realistic novels and critical realism novel turn to occupy the leading position in the field of Romantic novels, such as France Victor Hugo's "Notre Dame de Paris", Goethe's "juvenile Witt of trouble" and so on, imaginative, unusual ideas, language and imaginative, strong Efforts to reflect the reality of the novel is the essence of life, and depict typical life of a typical phenomenon in the United Kingdom Dickens, France and Germany are of such novels as a representative of the Critical realism novels exposed the efforts of the decadent feudal system and capitalist society, the dark, in-depth criticism of the reality of evil, France Balzac and Maupassant, the United Kingdom of Charlotte, Bronte, Russia's Tolstoy, Dostoevsky, the United States of a large number of writers such as Mark Twain's works belong to this Value today, the three novels in the West is still the most important of the three types of literary East-West novel on the history of the development of more or less the Second, the characteristics of the novel in the West In addition to the basic characteristics of the novel, the story of the West also have their own characteristics are as follows: 1, the traditional Chinese novel attention to the characters, language and the details of the description, in contradiction to the conflict to display the images, but the character of a single, small changes in the absence of the main Western novels are more people pay attention to the psychological description, stressed that mining figure in the subconscious mind, good at writing full, the changes in the strong sense of the main Again, "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts, but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent, and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character, but Jane Eyre's character is the brave, strong, warm, kind-hearted, and so many of the character and rubbing and Cheng' In short, people in the area described in the West has its own unique 2, China compared with Western fiction novel plot twists and turns more and more complete Plot twists and turns, the story is complete fiction China's unique traditional The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid Tang legend in the layout of many of the famous, magnificent anomaly, rigorous and clever, dramatic plot The contents of the Ming and Qing Dynasties novels scattered irregular, undulating waves, Cuoluoyouzhi, careful structure, an integral "A Dream of Red Mansions", everywhere She Fu, Hui turning point, the story of Jia's best Western plot in respect of the outstanding works, although there are many, but it can not be compared with the Chinese 3, concise and lively Chinese language novel, rich in content and rich Western Chinese folk artists absorbed the novel language, at the same time inherited the fine traditions of ancient prose, often a few words will be able to outline the incident or the Western novels in the author includes a broad range of knowledge, involve the community in many ways, so rich in content and rich people can gain knowledge in many Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are Western novels have different characteristics, and also in the West different aesthetic concepts to a certain extent 4, Western novels have been the rule of the feudal culture of oppression Chinese feudal culture makes the development of the novel is extremely difficult, Ming and Qing Dynasties more people to write stories for shame, so many great writers living, creating the conditions are not covered, many of the great works of authors who do not Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow, and many talented writers were forced to church services, wrote some of the religious nature of the article dry Third, Western novels in the future prospects for the development of End of the Qing Dynasty, China and the West have begun to understand the other side of the system, the advantages of the novel in the West have been constantly learn from each Of course, due to historical reasons, the Chinese side of the draw a little To this day, the novelist in the West efforts are still two researchers in the novel's artistic charm, although the different languages of each other's appreciation of the arts to a certain extent, but the United States are We have every reason to believe that in the near future, the novel art in the West will ultimately learn from each other and integrate, develop and reach new artistic References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election," Zhang Zhong, such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考,请自借鉴。希望对您有帮助。
Abstract: Dress culture is a cultural phenomenon unique to human As it has different aesthetic ideas, different dressing concepts and different dress etiquette in China and west, it forms Chinese and western dress culture of the different connotation and This thesis is divided into four major The first part describes the different features of Chinese and western dress and why people wear The second part describes cultural differences between Chinese and western The third part gives an analysis of Chinese and western dress The last part describes Chinese and western dress aesthetic culture and dress Based on the analysis, the thesis finally draws a Chinese and western dress culture each has rich connotation and distinct characteristics, which are precious cultural legacy which is left by human ancestors and are the world culture At the same time, we treasure our own civilization of five thousand years instead of belittling It is significant to promote and develop our unique costume We are confident and make contributions to realizing the rejuvenation of our Chinese nation and enriching the clothing culture of the whole Key words: Chinese and western clothing; culture;differences;aesthetic culture and clothing concepts 摘要摘要摘要摘要::::服饰文化是人类特有的文化现象。由于中西方各民族的审美观念、着装理念和服饰礼仪的不同,从而形成了不同内涵、不同特色的中西方服饰文化。本文共分为四部分。第一部分主要介绍了中西服饰的不同特征以及为什么人要穿衣服,第二部分写中西方服饰的差异,第三部分写导致中西方服饰文化差异的原因,第四部分则写中西方服饰审美文化和着装理念。通过以上简单的论述,最后得出结论,中西方服饰文化各具有丰富的内涵和鲜明的特色,她们都是人类祖先留下来的宝贵文化遗产 ,是世界文化的瑰宝。与此同时,我们应该珍惜自己五千年的文明而不是贬低自己的文明。促进和发展我们独特的民族服饰文化具有重要的意义。为了实现我们中华民族的文化复兴和丰富整个世界的文化,让我们自信起来吧! 关键词关键词关键词关键词::::中西服饰;文化;差异性;审美文化与着装理念Introduction Costume culture, carried by costume, is a respect of our physical and spiritual life and a mixture of our psychological activities like consciousness, emotion, idea and The rapid development of advanced technology makes multiculturalism stand out and also makes conflicts between China and the West In that case, it becomes more and more important to recognize the similarities and differences of costume culture between China and the W Nowadays, the whole world is, to some extent, dominated by the western costume culture, which has wound its way into the daily life of the whole world, together with technology, life style and values from the W Quite popular in China, it’s nominally called “internationalization” or “globalization” In recent years, the costume industry of China has developed The “international” costume, featured by the western costume culture, has become a pretty important part of our daily However, as our economy takes off, international status rises and living standard improves, a wave of national costume culture resurgence is Moreover, people from the West pay more and more attention to the giant dragon in the East——C Western costume designers constantly introduce Chinese costume cultural elements to their latest Those phenomena arouse a series of thoughts: what distinguishes Chinese costume culture from the western one? Are there any similarities between them? What kind of costume culture will we Chinese hold as the mainstream in the future, the so-called “international” western one, the Chinese one or the fusion of the two? To obtain the answers to these questions, we are supposed to study and contrast carefully the characteristics and developing processes of them, and then draw some To contrast the costume culture between China and the West, it is necessary for us to master a good knowledge of the Chinese and western costume cultural Chapter 1 Chinese and western dress 1 The different features of Chinese and western dress China is known as “Xia” as it’s a land of propriety, and it’s also known as “Hua” with the beauty of its (①《左传》p83) Our national costume is H It originated in the Yanhuang era, formed in the Spring and Autumn Period and officially took form in Han D That’s the reason why it’s called “Hanfu” Since then, in spite of historical evolutions of all ages, their basic characteristics have never Hanfu, on the whole, can be divided into four developing stages: Zhou Han Hanfu, Wei Jin Hanfu, Sui Tang Hanfu and Song Ming H Zhou Han Hanfu was featured by dignity and simplicity, while Wei Jin Hanfu by chic and elegance, Sui Tang Hanfu by dignified, graceful, elegant and poised Hanfu in Song and Ming Dynasties epitomizes the characteristics of the past-simple, dignified, elegant, In Qing Dynasty, Hanfu was forbidden by the government and disappeared from the land of C The main features of Chinese clothing are focusing on the right collar’s overlap, the band deducted hidden, big sleeves, no buttons and using string binding, giving the impression of free and easy These characteristics are obviously different from those of other ethnic Hanfu is divided into uniform and common With strict standards, uniform is dressed on formal occasions while the common clothing, without long sleeves, is very convenient to people’s daily However, the western clothing is different form the Chinese The West belongs to Marine civilization, it emphasizes the subjective and objective separation and that we should rationally treat clothing, advocate releasing personality, stress dress effect and be good at showing beautiful the posture of the Besides, we use various clipping, color collocation means to perfect bodily curve and give a person with visual comfort in the A suit, also known as a business suit, comprises a collection of matching clothing consisting of: a coat﹙commonly known as a jacket﹚,a waistcoat﹙optional﹚﹙USA vest﹚for men, a pair of trousers﹙USA pants﹚, or for women, a shirt or A suit is generally accompanied by torment, a shirt and tie or for women, a 2 Why people wear clothingChinese people are concerned more about its social function of helping to rule a country well than that of keeping warm or It has a lot to do with ruling a country to regulate the dressing way of the common Nevertheless, the westerners pay more attention to its wealth value and Therefore, people put on clothing for functional and social 1 The functional reason The first use of clothing is to resist the cold and cover the Functions of clothing include providing the human body protection against extremes of climate (extreme heat, icy winters, and drenching storms) and protection against insects, noxious, chemicals, and contact with abrasive In sum, clothing protects human beings against anything that might injure the naked, unprotected human 2 The social reason Clothing also delivers social messages to other Social messages sent by clothing, accessories, and decorations can involve social status, occupation, ethnic and religious belief, marital status, cultural degree and sexual availability, For example, only Roman citizens can wear “Toga” in Rome while dragon robe can only be dressed by the emperor in C
中西服饰文化差异毕业论文题目
Western novels in comparison First, Western novels in the history of the development of Western novels are based on myths and legends of its In ancient times, science developed, out of fear of nature, the working people out of the imagination is the key to many of the world "God", describing the personification of God is a myth; who will describe the deified, that is China opened the world's Pan story, the story of San Juan Five Emperors, the West Greek mythology, Roman mythology, Norse mythology, and so on are all typical East and West, the original novel, is closely linked with the history, as historical records complement the China Pre-Qin prose in the fable, the Han dynasty in the history books, biographies, the Wei and Jin Zhi, Zhi-person novel; the West of ancient Babylon, "the United States and Ji Jia disabilities epic", in ancient Greece, "Homer's epic," "Aesop's Fables "And so on, fall into this category, fiction, novels such novels have been about the characteristics of fiction, it is still not the literary creation, directly from the private collection record, so this type of fiction plot is relatively simple, writing rough Ban Gu said, "On the Street Lane words, hearsay are made of" is a novel kind of accurate assessment of the China's Tang Dynasty, the novel is only from history and literature become a Tang Dynasty culture has developed, the author's ideas are more open, the legend came into being at this time, Li Zhaowei "Liu Yi Chuan", Po Chu's "Everlasting Regret," Wolf's "Everlasting Regret Chuan" And so on, are made in accordance with the creation of the For the fictional story of the Tang Dynasty more emphasis on imagination and literary talent, not just the history of the nature of things, but as the history of Zhi Zhi who is also the novel did not The Legend of the Song Dynasty to the novel on a gradual decline, which followed the rise of this so that after processing will become a scholar so many novel and Romance novels such as "Romance of the Three Kingdoms", "Outlaws of the Marsh", "Journey to the W" The author of such novels is the use of private creative and re-created to describe the circumstances of the touching scenes of brilliant and vivid active in shaping the character known, there are obvious story-telling style of Here by the redevelopment, it will become an independent literary creation rather than things to come together with the civil process, the representative of this type is the "Golden Lotus", it was an open and ordinary life on the road, the reality is that literature has come a long way The development of the latter's "A Dream of Red Mansions" in ancient China Geng Shiba realism to the novels of the "54" after the novelist began to learn from China's western fiction writing practices, and gradually out a new Western novels, is the "Renaissance" after the rapid development of The development of the Middle Ages novel near-stagnation in the West, 14, the end of the century "Renaissance" to overthrow the literature of the Church of control, 15, appeared in the western end of the century to promote freedom of thought and the liberation of personality in order to describe the reality of life and portray characters from all walks of life for the content of the Humanist novels, is to tie in with this type of novel anti-feudal Europe at the time of arising at the same time it also set the novel in the West to human describing the tone of the main Jiaqiu Italy's "Decameron", Spain's Cervantes "Don Quixote" is the kind of representative works of The resulting novel is a classical, elegant favor of its national language to standardize the writing of this novel in 17th century France's most well- As a note on behalf of Corneille's "Cid" neoclassical story of the rise of Western novels have been a language substantially The beginning of the 18th century to promote popular science knowledge, enlightenment of the public consciousness for the purpose of the Enlightenment novels, of which there are relatively well-known German Goethe's "Faust", the United Kingdom Defoe's "Robinson Crusoe" and the Swift "Gulliver's Travels" and so on, this type of novel to the emergence of the bourgeois revolution at the time to mold public In the 19th century, romantic fiction, realistic novels and critical realism novel turn to occupy the leading position in the field of Romantic novels, such as France Victor Hugo's "Notre Dame de Paris", Goethe's "juvenile Witt of trouble" and so on, imaginative, unusual ideas, language and imaginative, strong Efforts to reflect the reality of the novel is the essence of life, and depict typical life of a typical phenomenon in the United Kingdom Dickens, France and Germany are of such novels as a representative of the Critical realism novels exposed the efforts of the decadent feudal system and capitalist society, the dark, in-depth criticism of the reality of evil, France Balzac and Maupassant, the United Kingdom of Charlotte, Bronte, Russia's Tolstoy, Dostoevsky, the United States of a large number of writers such as Mark Twain's works belong to this Value today, the three novels in the West is still the most important of the three types of literary East-West novel on the history of the development of more or less the Second, the characteristics of the novel in the West In addition to the basic characteristics of the novel, the story of the West also have their own characteristics are as follows: 1, the traditional Chinese novel attention to the characters, language and the details of the description, in contradiction to the conflict to display the images, but the character of a single, small changes in the absence of the main Western novels are more people pay attention to the psychological description, stressed that mining figure in the subconscious mind, good at writing full, the changes in the strong sense of the main Again, "coach Lin Feng Snow Mountain Temple" in the figure is only through dialogue and action leads to contradictions and conflicts, but Anna Karenina Wogui before a series of conflicts only with his description of the psychological will be able to express their clear; for poetry in Lin In the performance of her literary talent, and Paul with his inner monologue of the ideal; Zhang Zhong-Yong has only the character, but Jane Eyre's character is the brave, strong, warm, kind-hearted, and so many of the character and rubbing and Cheng' In short, people in the area described in the West has its own unique 2, China compared with Western fiction novel plot twists and turns more and more complete Plot twists and turns, the story is complete fiction China's unique traditional The Wei and Jin Zhi Zhi people on the novel twists and turns with vivid Tang legend in the layout of many of the famous, magnificent anomaly, rigorous and clever, dramatic plot The contents of the Ming and Qing Dynasties novels scattered irregular, undulating waves, Cuoluoyouzhi, careful structure, an integral "A Dream of Red Mansions", everywhere She Fu, Hui turning point, the story of Jia's best Western plot in respect of the outstanding works, although there are many, but it can not be compared with the Chinese 3, concise and lively Chinese language novel, rich in content and rich Western Chinese folk artists absorbed the novel language, at the same time inherited the fine traditions of ancient prose, often a few words will be able to outline the incident or the Western novels in the author includes a broad range of knowledge, involve the community in many ways, so rich in content and rich people can gain knowledge in many Engels said he was in Balzac's novel about 19th century France's domestic situation than he received any reports are Western novels have different characteristics, and also in the West different aesthetic concepts to a certain extent 4, Western novels have been the rule of the feudal culture of oppression Chinese feudal culture makes the development of the novel is extremely difficult, Ming and Qing Dynasties more people to write stories for shame, so many great writers living, creating the conditions are not covered, many of the great works of authors who do not Western novels in the feudal culture makes almost the whole of the Middle Ages in the development of extremely slow, and many talented writers were forced to church services, wrote some of the religious nature of the article dry Third, Western novels in the future prospects for the development of End of the Qing Dynasty, China and the West have begun to understand the other side of the system, the advantages of the novel in the West have been constantly learn from each Of course, due to historical reasons, the Chinese side of the draw a little To this day, the novelist in the West efforts are still two researchers in the novel's artistic charm, although the different languages of each other's appreciation of the arts to a certain extent, but the United States are We have every reason to believe that in the near future, the novel art in the West will ultimately learn from each other and integrate, develop and reach new artistic References: "Foreign Literature" Shanghai Translation Publishing House Zhou Xu Liang "Contemporary Literature election," Zhang Zhong, such as Beijing University Publishing House "Chinese literature history of the development of" Shanghai Ancient Books Publishing House Liu Jie "Literary History of Europe" People's Literature Publishing House Yangzhou Han Wu Da-yuan Zhao Rui radish "Three high school language textbook used by the five dates of the" People's Education Press仅供参考,请自借鉴。希望对您有帮助。
服饰文化是一种整体文化。它是指服装、饰物、穿着方式、装扮,包括发型、化妆在内的多种因素的有机整体。服饰文化是一个民族、一个国家文化素质的物化,是内在精神的外观,是社会风貌的显示。由于历史条件、生活方式、心理素质和 文化观念的差别,中西方的服饰文化有着较大的差别。 中国传统服饰文化观念的特色 1、善于表达形与色的含蓄 朦朦胧胧,藏而不露,隐含寓意,给人以审美的感受。这种含蓄,有时通过款式展现, 有时也可通过造型、布局、色彩、线条等手段给人以整体和谐之美。 2、注重精细的艺术手法和工艺表现 大量采用刺绣、飘带、图案和其它装饰手法,表达丰富的想象,以浪漫主义情调达到现实主义的效果。 3、注重气派稳重的氛围效果 服装的整体配合给人以秩序和谐美感,严肃庄重,美观高雅,能起到烘托月之效,服饰文化与环境相配合,更具鲜明的时代感。 4、注重服饰文化的民族性 服饰文化是一个民族个性的重要标志之一。服饰作为一种民俗现象,具有鲜明的民族性。不同民族长期交往,服饰文化互相影响和渗透,甚至有意借鉴和模仿。但是中华民族有自己的审美趣味,伦理道德,因而有自己的着装规范。 5、受中国传统文化的影响 A、 注重营造和平统一的气氛 孔子曰:“见人不可不饰,不饰无貌,无貌不敬,不敬无礼,无礼不立。”时过千年,在以孔孟之道为核心的大一统思想指导下,中国服饰也力求稳重、平静,有助于安宁、融洽和礼让之先的人际关系。 B、“文质彬彬”——儒家对服饰的审美观 文是指一个人服饰的美,质是指一个人资质的美。 C、“披褐怀玉”一一道家对服饰的审美观 “清水出芙蓉,天然去雕饰”,若不以论诗,而以论人,正可为道家对服饰的审美观。 西方服饰文化观念的特色 1、 崇尚人体美 从古希腊时代至今,西方艺术包括服饰在内,常把讴歌和显示人体自然美当作无上的典型。因 此服饰在西方人的身上成了“副件”:女性通过裸露或挂丝尽显其形体之美,男性则更赤裸地表现肌肤的健康和力量的强大。 2、 服装是为了吸引异性对自己的注意 西方服饰通过对人体曲线和对某些敏感部位作裸露处理,最大限度地发挥服饰吸引力,给人以不可言状的美感,以此产生心理效应,使人迅速进入纯粹的审美境界。 3、突 出表现个性 西方人着装重在表现自我,寻求对平衡的突破和片面性的掘进,自我设计、自我表现、自我创造而别具一格;通过着装充分表明自我的理想境界和各种观念,借以标明自我。 4、 追求感官刺激 西方服饰时刻使欣赏者能顿发性感,形成不寻常的感官剌激。设计大师通过精心设计,独特的色彩搭配组合和特殊的线条分割,充分体现性的心理、生理特征。因此在西方,性感明显的服饰比比皆是。
中西方服饰文化差异论文
服饰文化是一种整体文化。它是指服装、饰物、穿着方式、装扮,包括发型、化妆在内的多种因素的有机整体。服饰文化是一个民族、一个国家文化素质的物化,是内在精神的外观,是社会风貌的显示。由于历史条件、生活方式、心理素质和 文化观念的差别,中西方的服饰文化有着较大的差别。 中国传统服饰文化观念的特色 1、善于表达形与色的含蓄 朦朦胧胧,藏而不露,隐含寓意,给人以审美的感受。这种含蓄,有时通过款式展现, 有时也可通过造型、布局、色彩、线条等手段给人以整体和谐之美。 2、注重精细的艺术手法和工艺表现 大量采用刺绣、飘带、图案和其它装饰手法,表达丰富的想象,以浪漫主义情调达到现实主义的效果。 3、注重气派稳重的氛围效果 服装的整体配合给人以秩序和谐美感,严肃庄重,美观高雅,能起到烘托月之效,服饰文化与环境相配合,更具鲜明的时代感。 4、注重服饰文化的民族性 服饰文化是一个民族个性的重要标志之一。服饰作为一种民俗现象,具有鲜明的民族性。不同民族长期交往,服饰文化互相影响和渗透,甚至有意借鉴和模仿。但是中华民族有自己的审美趣味,伦理道德,因而有自己的着装规范。 5、受中国传统文化的影响 A、 注重营造和平统一的气氛 孔子曰:“见人不可不饰,不饰无貌,无貌不敬,不敬无礼,无礼不立。”时过千年,在以孔孟之道为核心的大一统思想指导下,中国服饰也力求稳重、平静,有助于安宁、融洽和礼让之先的人际关系。 B、“文质彬彬”——儒家对服饰的审美观 文是指一个人服饰的美,质是指一个人资质的美。 C、“披褐怀玉”一一道家对服饰的审美观 “清水出芙蓉,天然去雕饰”,若不以论诗,而以论人,正可为道家对服饰的审美观。 西方服饰文化观念的特色 1、 崇尚人体美 从古希腊时代至今,西方艺术包括服饰在内,常把讴歌和显示人体自然美当作无上的典型。因 此服饰在西方人的身上成了“副件”:女性通过裸露或挂丝尽显其形体之美,男性则更赤裸地表现肌肤的健康和力量的强大。 2、 服装是为了吸引异性对自己的注意 西方服饰通过对人体曲线和对某些敏感部位作裸露处理,最大限度地发挥服饰吸引力,给人以不可言状的美感,以此产生心理效应,使人迅速进入纯粹的审美境界。 3、突 出表现个性 西方人着装重在表现自我,寻求对平衡的突破和片面性的掘进,自我设计、自我表现、自我创造而别具一格;通过着装充分表明自我的理想境界和各种观念,借以标明自我。 4、 追求感官刺激 西方服饰时刻使欣赏者能顿发性感,形成不寻常的感官剌激。设计大师通过精心设计,独特的色彩搭配组合和特殊的线条分割,充分体现性的心理、生理特征。因此在西方,性感明显的服饰比比皆是。